Issues
Past by Author
Past by Date
Present
Future

Volume 34, Number 2

233 Jacques Rancière
Why Emma Bovary Had to Be Killed

249 Tzvetan Todorov
Moving Targets: An Interview by Danny Postel

274 Diarmuid Costello
On the Very Idea of a ‘Specific’ Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts

313 Jeffrey Knapp
“Sacred Songs Popular Prices”: Secularization in The Jazz Singer

336 Miriam Bratu Hansen
Benjamin's Aura

376 Ricardo Alarcón
The Return of C. Wright Mills at the Dawn of a New Era

Books of Critical Interest

Ricardo Alarcón
The Return of C. Wright Mills at the Dawn of a New Era

“What planet are you from, anyway?” responded the Guantanamero to the insistent question posed by someone who apparently did not believe there were schools, libraries, teachers, doctors, and nurses there who offered their services to everyone free of charge, as they have been doing for several decades in Cuba. This anecdote, mentioned in Sicko, Michael Moore’s latest documentary, describes what many, in one way or another, have experienced in the course of nearly half a century of encounters—positive and not—between beings that inhabit worlds that are at once close to and cut off from one another. In 1960, hoping to bridge the enormous gap through the noble and generous voice of C. Wright Mills, Cubans had noted: “We are so far apart that there are two Cubas—ours, and the one you picture to yourselves.” By the way, Cuba is not a nation about which few things have been written or published.


Ricardo Alarcón is president of the National Assembly of People’s Power of the Republic of Cuba. This is the text of a lecture delivered at the Workshop “Dialogos Políticos,” the Twenty-seventh International Congress of the Latin American Studies Association, 2007, Montréal, Canada, 7 September 2007.

Critical Inquiry Volume 34, Number 2, Winter© 2008 by The University of Chicago.
0093-1896/08/3402-0005$10.00