The Intermediate Domain, or the Problem of the Photographic Novel and the Problem of Value

EA and Knowing in Hawai'i

Critical Response: Caliban's Triple Play

De-disciplining the Eye
Telling, Showing, Showing Off
Semiotic Elements in Academic Practices

Subject and Sentence: The Poetry of Tom Raworth

What Is "Language Poetry"?

Multiplicities: An Anthropologist's Thoughts on Replicants and Clones in Popular Film

Biography and Criticism: A Misalliance Disputed

On Professionalism: To the Editor of Critical Inquiry

Critical Response: Meaning as Concept and Extension: Some Problems

Between Enlightenment and Victorian: Toward a Narrative of American Women Writers Writing History

Homosexual Signs (In Memory of Roland Barthes)

Formalism and Virtuosity: Franco-Burgundian Poetry, Music, and Visual Art, 1470-1520

Critical Response: How I Slugged It out with Toril Moi and Stayed Awake
Kristeva and Poetry as Shattered Signification

Virginia Woolf's Criticism: A Polemical Preface

Art and the Elite
The Art Critic and the Historian
Bloomsbury and "the Vulgar Passions"
Critical Response: Notes and Exchanges
A "Radiant" Friendship
Critical Response: Reply to Jane Marcus

Canons and Values in the Visual Arts: A Correspondence

Artists on Art: A World Too Much With Us

Envisioning Modernity: Desire and Discipline in the Italian Fascist Film

The Multiplication of Culture's Utility

The Problem of Ideology in American Literary History

'68, or Something
Race, Gender, and Nation in The Color Purple
Intimacy: A Special Issue and Sex in Public with Michael Warner
Critical Inquiry, Affirmative Culture

Critical Response: Response to Peter Brooks

Optimism and Critical Excess (Process)

Image, Word, and Sign: The Visual Arts as Evidence in Ezra Pound's Cantos
"O Totiens Servus": Saturnalia and Servitude in Augustan Rome
"These Children that Come at You with Knives": Ressentiment, Mass Culture, and the Saturnalia
Forum on Mikhail Bhaktin: When the Carnival Turns Bitter: Preliminary Reflections Upon the Abject Hero

Critical Response: Finding Antifeminism in Rabelais; or, A Response to Wayne Booth's Call for an Ethical Criticism

"The Culture of Redemption": Marcel Proust and Melanie Klein
Critical Response: Rejoinder to Walter Benn Michaels
Sociality and Sexuality

These Are the Times We Have to Live In: An Interview with Roberto Fernández Retamar

Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree Outside Delhi, May 1817
Editors Introduction: Minority Maneuvers and Unsettled Negotiations
Statement for the Critical Inquiry Board Symposium
Adagio

Etiquette, Interdependence, and Sociability in Seventeenth Century Science

What Is a Muslim? Fundamental Commitment and Cultural Identity
Interpreting a Disinction

Critical Response: How Metaphors Work: A Reply to Donald Davidson

Americanized Comic Braggarts

Symposium on Heidegger and Nazism: Thinking the Apocalypse: A Letter from Maurice Blanchot to Catherine David

Poetry, Revisionism, Repression

Piet Mondrian, New York City

Lifting our Eyes from the Page

Irony and Pity Once Again: Thaïs Revisited
Kenneth Burke's Way of Knowing
Metaphor as Rhetoric: The Problem of Evaluation
M. H. Abrams: Historian as Critic, Critic as Pluralist
Pluralism in the Classroom
The Limits of Pluralism: "Preserving the Exemplar": Or, How Not to Dig Our Own Grave
Critical Response: Reply to Richard Berrong
Afterthoughts on Metaphor: Ten Literal "Theses"
Freedom of Interpretation: Bakhtin and the Challenge of Feminist Criticism
To: All Who Care about the Future of Criticism

Artists on Art: The Writing of Organic Fiction: A Conversation

Critical Response: Notes and Exchanges

The Oedipus Problem in Freud and Lacan

Picture and Witness at the Site of the Wilderness

Artists on Art: Remarks on His Own Writing
Artists on Art: Walt Whitman: Man and Myth

Flaubert's Point of View

Philosophy from an Antiphilosopher: Paul Valéry

Policing Thought: On Learning How to Read Henry Adams
Giving Thought to America: Intellect and The Education of Henry Adams
Continuing the Conversation

The Eye in the Torah: Ocular Desire in Midrashic Hermeneutic
"This We Know to Be the Carnal Israel": Circumcision and the Erotic Life of God and Israel

Diaspora: Generation and the Ground of Jewish Identity
An Exchange on Edward Said and Difference: Toward a Dialogue with Edward Said

Victorians and Africans: The Genealogy of the Myth of the Dark Continent
A Postindustrial Prelude to Postcolonialism: John Ruslin, William Morris, and Gandhism

"Hobbes, Carl Schmitt, and Walter Benjamin"
A Neglected Tradition? Art History as Bildwissenschaft

Extreme Criticism Reply to Drucilla Cornell (Critical Response II)

On Jacques Derrida's "Paul de Man's War": Resetting the Agenda

Off the Gangsta Tip: A Rap Appreciation, or Forgetting about Los Angeles
Rap Redoubt: The Beauty of the Mix
The Illusion of a Future: Orientalismas Traveling Theory
The Empire's New Clothes
The Magician's Wand: A Rejoinder to Hardt and Negri
Resolution

"Hidden Transcripts" Made Public: Israeli Arab Fiction and its Reception"

The Obscenity of Philip Larkin

Traditional Ballads Musically Considered

Aesthetics and Ideology: What Happened to Poetics?
The Idea of a Psychoanalytic Literary Criticism
Critical Response: Response to Charles Bernheimer
Storied Bodies, or Nana at Last Unveil'd

Critical Response: Writing, Race, and Erasure: Michael Fried and the Scene of Reading
How to Do Things with Things (A Toy Story)
Thing Theory
The Tyranny of Things (Trivia in Karl Marx and Mark Twain)
All Thumbs

The Classic is the Baroque: On the Principle of Wolfflin's Art History

Knowledge and Silence: The Golden Bowl and Moral Philosophy

The Narrative Construction of Reality

Canon and Power in the Hebrew Scriptures
Intention, Authority, and Meaning
Loose Talk about Religion from William James
Response to Crewe and Conant
Stanley Cavell's Shakespeare

Chardin and the Text of Still Life

Envisioning Capital: Political Economy on Display
Hegel and Haiti

Toxic Discourse

Jenni's Room: Exhibitionism and Solitude

Gertrude Stein, the Cone Sisters, and the Puzzle of Female Friendship

A Critical Load, Beyond That Door...
In Response to Booth: Dancing with Tears in My Eyes
Methodological Repression and/or Strategies of Containment
Artists on Art: (Nonsymbolic) Motion / (Symbolic) Action
Artists on Art: Post-Poesque Derivation of a Terministic Cluster

The Sc