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Jacobs, Gabriel
ARTISTS ON ART: Ionesco and the Critics: Interview with Eug&egravene Ionesco
Jacobson-Leong, Esther
Place and Passage in the Chinese Arts: Visual Images and Poetic Analogues
Jacobus, Mary
The Question of Language: Men of Maxims and The Mill on the Floss
Jameson, Fredric R.
CRITICAL RESPONSE: Ideology and Symbolic Action
On Magic Realism in Film
The Symbolic Inference; or, Kenneth Burke and Ideological Analysis Finance Capital
Benjamin and His Sociological Predecessor
Symptoms of Theory or Symptoms for Theory
Jankélévitch, Vladimir
Do Not Listen to What They Say, Look at What They Do
Should We Pardon Them?
Pelléas and Pénélope
JanMohamed, Abdul R.
The Economy of Manichean Allegory: The Function of Racial Difference in Colonial Literature
Jauss, Hans Robert
Poiesis
Modernity and Literary Tradition
Jehlen, Myra
History before the Fact; or, Captain John Smith's Unfinished Symphony
Response to Peter Hulme
Johnson, Barbara
Rigorous Unreliability
Thresholds of Difference: Structures of Address in Zora Neale Hurston
Johnston, John
Machinic Vision
Jones, Ann Rosalind and Peter Stallybrass
Fetishizing the Glove in Renaissance Europe
Jones, Caroline A.
Finishing School: John Cage and the Abstract Expressionist Ego The Modernist Paradigm: The Artworld and Thomas Kuhn Anxiety and Elation: Response to Michael Fried
Jones, Mari Riess
Only Time Can Tell: On the Topology of Mental Space and Time
Jones, Matthew L.
Descartes's Geometry as Spiritual Exercise
Joseph, Branden W.
White on White
Joyrich, Lynne
Epistemology of the Console
Juhl, P. D.
Do Computer Poems Show That an Author's Intention Is Irrelevant to the Meaning of a Literary Work?
Jullien, François
Did Philosophers Have to Become Fixated on Truth?