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Kandinsky, Wassily
Secession
Kaplan, Alice Y.
On Alan Finkielkraut's Remembering in Vain: The Klaus Barbie Trial and Crimes against Humanity
Kaufman, Robert
Red Kant, or The Persistence of the Third Critique in Adorno and Jameson
Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde
Kelman, Mark
Reasonable Evidence of Reasonableness
Kenshur, Oscar
Demystifying the Demystifiers: Metaphysical Snares of Ideological
AN EXCHANGE ON IDEOLOGICAL CRITICISM: (Avoidable) Snares and Avoidable Muddles
Kerman, Joseph
A Few Canonic Variations
How We Got into Analysis, and How to Get Out
Kermode, Frank
Novels: Recognition and Deception
CRITICAL RESPONSE: A Reply to Denis Donoghue
CRITICAL RESPONSE: A Reply to Joseph Fran
Secrets and Narrative Sequence
Keyser, Samuel Jay, and Alan Prince
Folk Etymology in Sigmund Freud, Christian Morgenstern and Wallace Stevens
Kezar, Dennis
Shakespeare's Addictions
Kiaer, Christina
The Russian Constructivist Flapper Dress
Kinahan, Frank
ARTISTS ON ART: An Interview with Seamus Heane
Kincaid, James R.
CRITICAL RESPONSE: Coherent Readers, Incoherent Texts
ON SHELDON SACKS: Fiction and the Shape of Belief: Fifteen Years Later
CRITICAL RESPONSE: Pluralistic Monism
CRITICAL RESPONSE: Pouvoir, Félicité, Jane et Moi -- (Power, Bliss, Jane, and Me) CRITICAL RESPONSE: Response
Kincaid, James R. and James Phelan
What Do We Owe Texts? Respect, Irreverence, or Nothing at All?
Kipnis, Laura
Adultery
Kittler, Friedrich
Universities: Wet, Hard, Soft, and Harder
Knapp, Steven, and Walter Benn Michaels
Against Theory
Against Theory 2: Hermeneutics and Deconstruction
Reply to George Wilson
PRAGMATISM AND LITERARY THEORY: A Reply to Richard Rorty: What Is Pragmatism?
Keopnick, Lutz P.
The Spectacle, the Trauerspiel, and the Politics of Resolution: Bejamin Reading the Baroque Reading the Weimer
Koethe, John
Contrary Impulses: The Tension between Poetry and Theory
Kohut, Heinz
Psychoanalysis and the Interpretation of Literature: A Correspondence with Erich Heller
CRITICAL RESPONSE: A Reply to Margret Schaefer
Kolodny, Annette
Some Notes on Defining a "Feminist Literary Criticism"
CRITICAL RESPONSE: The Feminist as Literary Critic
WRITING AND SEXUAL DIFFERENCE: Turning the Lens on "The Panther Captivity": A Feminist Exercise in Practical Criticism
Kracauer, Siegfried
Photography
Kramer, Jonathan D.
New Temporalities in Music
ON MODERNISM: Can Modernism Survive George Rochberg?
Kramer, Lawrence
CRITICAL RESPONSE: The Shape of Post-Classical Music
Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion's The Portrait of a Lady
Krauss, Rosalind
Redeeming Medium
Krieger, Murray
Fiction, History, and Empirical Reality
Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor
The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective
CRITICAL RESPONSE: Optics and Aesthetic Perception: A Rebuttal
Kristeva, Julia
Is There a Feminine Genius?
The Politics of Interpretation: Psychoanalysis and the Polis
The Politics of Interpretation: Notes and Exchanges
Krupat, Arnold
An Approach to Native American Texts
CANONS: Native American Literature and the Canon
Kubler, George
History–or Anthropology–or Art?
Kujundzic, Dragan
Journey With J On the Jour J
Kumar, Amitava
The Poet's Corpse in the Capitalist's Fish Tank