From Athens to Berlin: The 1936 Olympics and Leni Riefenstahl's Olympia

The Case against Art: Wunderlich on Joyce

Rhetorical Hermeneutics
Truth or Consequences: On Being Against Theory
CRITICAL RESPONSE: Stanley Fish's "Interpreting the Variorum": Advance or Retreat?

"Ce n'est pas le Pèrou," or, the Failure of Authenticity: Marginal Cosmopolitans at the Paris Universal Exhibition of 1855

The Empire Renarrated: Season of Migration to the North and the Reinvention of the Present
Laying Claim to Beirut: Urban Narrative and Spatial Identity in the Age of Solidere
Said, Palestine, and the Humanism of Liberation

Discovering Viking America

CRITICAL RESPONSE: Quentin's Bogey

Frontiers of Utopia: Past and Present

SYMPOSIUM ON "GOD": Metaphysics and Phenomenology: A Relief for Theology AN EXCHANGE ON IDEOLOGICAL CRITICISM: What Isn't History: The Snares of Demystifying Ideological Criticism

Countertransference, the Communication Process, and the Dimensions of Psychoanalytic Criticism

Adam Smith and the Theatricality of Moral Sentiments

CRITICAL RESPONSE: On Seeing Walton's Great-Grandfather

Literary Invention: The Illusion of the Individual Talent CRITICAL RESPONSE: A Reply to Carl Pletsch and Richard Shiff

CRITICAL RESPONSE: Literary Critics and Their Discontents: A Response to Geoffrey Hartman

Kracauer's Two Tendencies and the Early History of Film Narrative
On Framing
What Isn't Cinema?

The Andy Warhol of Philosophy and the Philosophy of Andy Warhol

The "Symptomatic Act" Circa 1900: Hysteria, Hypnosis, Electricity, Dance

AN EXCHANGE ON TRUTH, FREEDOM, AND POLITICS: Ironist Theory as a Vocation: A Response to Rorty's Reply
Private Irony and Public Decency: Richard Rorty's New Pragmatism

"Azikwelwa" (We Will Not Ride): Politics and Value Black South African Poetry

No Names Apart: The Separation of Word and History in Derrida's "Le Dernier Mot du Racisme"

Beauty, the Irreal, and the Willing Assumption of Disbelief
The "Cantos" of Ezra Pound, the Truth in Contradiction
Contemporary Poetry, Alternate Routes
Formalism, Savagery, and Care; or, The Function of Criticism Once Again
Laura (Riding) Jackson and the Literal Truth
The Meaning of the Ancient Mariner
The Religious Poetry of Christina Rossetti
Some Forms of Critical Discourse
A Note on the Current State of Humanities Scholarship

"Art"–Again

Making It Big: Picturing the Radio Age in King Kong

Marrying My Bitch: J.R. Ackerley's Pack Sexualities

Arts of Invention and Arts of Memory: Creation and Criticism
Canonic Books and Prohibited Books: Orthodoxy and Heresy in Religion and Culture
Pluralism of Interpretations and Pluralism of Objects, Actions, and Statements Interpreted
Pride and Prejudice: Thought, Character, Argument, and Plot

The Figure Minstrelsy Makes: Poetry and Historicity

ARTISTS ON ART: Real, Schlemiel

Color as Cognition in Symbolist Verse
Editor's Introduction: Partitive Plays, Pipe Dreams Laclos's Purloined Letters The Hands of Simone Weil
Future? What Future?

SYMPOSIUM ON "GOD": Editors' Introduction

Psychoanalysis and the Place of Jouissance

Media in America, 1881: Garfield, Guiteau, Bell, Whitman

Introduction to "Persepctives on Walter Benjamin"

The Damsel, the Knight, and the Victorian Woman Poet

Rhyme and Life

Trucage and the Film

SYMPOSIUM ON "GOD": Suffering unto God

Concerning the Sciences, the ArtsÑAND the Humanities
Grammatical Simplicity and Relational Richness: The Trio of Mozart's G Minor Symphony
CRITICAL RESPONSE: Rejoinder to Gunther S. Stent

CRITICAL RESPONSE: Fictitious Dealing: A Reply to Leo Bersani
CRITICAL RESPONSE: The No-Drop Rule
Race into Culture: A Critical Genealogy of Cultural Identity
Sister Carrie's Popular Economy
The Shape of the Signifier

Against Theory
Against Theory 2: Hermeneutics and Deconstruction
Reply to George Wilson
A Reply to our Critics
PRAGMATISM AND LITERARY THEORY: A Reply to Richard Rorty: What Is Pragmatism?

National Socialist Architecture as an Acceleration oF Time

ARTISTS ON ART: Values in Language; or, Where Have Goodness, Truth, and Beauty Gone?

Theories of Africans: The Question of Literary Anthropology

Ariadne's Thread: Repetition and the Narrative Line
THE LIMITS OF PLURALISM: The Critic as Host
Theory and Practice: Response to Vincent Leitch
Moving Critical Inquiry On
What Is a Kiss? Isabel's Moments of Decision

CRITICAL RESPONSE: Catcher in and out of History
Henry James in Reality

Chicago Architecture after Mies

On the Genesis and Development of Literary Systems, Part I
On the Genesis and Development of Literary Systems, Part II
That Literature Is a Kind of Knowledge

CRITICAL RESPONSE: Everyman His or Her Own Annalist

Face, Race, and Disfiguration in Stephen Crane's The Monster

Spatial Form in Literature: Toward a General Theory
Critical Inquiry and the Ideology of Pluralism
CRITICAL RESPONSE: Diagrammatology
Editor's Introduction: Pluralism and Its Discontents
PRAGMATISM AND LITERARY THEORY: Editor's Preface
An Interview with Barbara Kruger
Pluralism as Dogmatism
CRITICAL RESPONSE: Seeing Do the Right Thing
Ut Pictura Theoria: Abstract Painting and the Repression of Language
PUBLIC ART: The Violence of Public Art: Do the Right Thing
Twenty Years of Critical Inquiry Holy Landscape: Israel, Palestine, and the American Wilderness
Romanticism and the Life of Things: Fossils, Totems, and Images
911: Criticism and Crisis
Medium Theory
The Ends of Theory: The Beijing Symposium on Critical Inquiry
Edward Said: Continuing the Conversation
Secular Divination: Edward Said's Humanism

Sheldon Sacks: 1930Ð1979

A Borderless World? From Colonialism to Transnationalism and the Decline of the Nation-State

CRITICAL RESPONSE: Fight the Power: A Response to Jane Gallop, James Kincaid, and Ann Pellegrini

CRITICAL RESPONSE: Reading Kristeva: A Response to Calvin Bedient

Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology

Seeing and Believing: Metaphor, Image, and Force

Contemporary Approaches to Aesthetic Inquiry: Absolute Demands and Limited Possibilities

Musical Time/Musical Space
On the Analysis of Recent Music
Secret Languages: The Roots of Musical Modernism
Critical Inquiry and the Future

CRITICAL RESPONSE: Feminism and Literary Study: A Reply to Annette Kolodny

Words and Images in Modernism and Postmodernism
Writing with Davidson: Some Afterthoughts after Doing Blind Time IV: Drawing with Davidson
Professional Rules
Cézanne's Mountains
Size Matters

ARTISTS ON ART: The Camera Eye

The Writing of Organic Fiction: A Conversation

Post-Modern Generative Fiction: Novel and Fiction

CRITICAL RESPONSE: Dialogue, Monologue, and the Social: A Reply to Ken Hirschkop
Tolstoy's Absolute Language
FORUM ON MIKHAIL BAKHTIN: Who Speaks for Bakhtin?: A Dialogic Introduction

Reading Raphael: The School of Athens and Its Pre-Text

Auerbach in Istanbul: Edward Said, Secular Criticism, and the Question of Minority Culture
Global Comparativism

Excluded Spaces: The Figure in the Australian Aboriginal Landscape

The Exile of Literature: Poetry and the Politics of Other(s)

1933—1934: THOUGHTS ON NATIONAL SOCIALISM: Ruminations of a Slow-witted Mind