Postnational Palestine/Israel? Globalization, Diaspora, Transnationalism, and the Israeli-Palestinian Conflict
Belated Occupation, Advanced Militarization: Edward Said's Critique of the Oslo Process Revisited

CRITICAL RESPONSE: Assuming the Obvious: A Reply to Derek Longhurst
Truth in Fiction: A Reexamination of Audiences
The Turn of the Glass Key: Popular Fiction as Reading Strategy
CRITICAL RESPONSE: Who Was That Lady? Pluralism and Critical Method

Metalinguistics and Science Fiction
Spatial Form and Plot

Denoting Difference: The Writing of Slave Spirituals

The Dramatic Monologue and Related Lyric Forms
CRITICAL RESPONSE: Explaining Our Literary Understanding: A Response to Jay Schleusener and Stanley Fish
Fact, Theory, and Literary Explanation
ON SHELDON SACKS: The Literary Theoretical Contribution of Sheldon Sacks
The Logic of Ulysses; or, Why Molly Had to Live in Gibraltar

The Book-of-the-Month Club and the General Reader: On the Uses of "Serious" Fiction
Research Universities, Periodical Publication, and the Circulation of Professional Expertise: On the Significance of Middlebrow Authority

Nationalism, Imagery, and the Filipino Intelligentsia in the Nineteenth Century

The Birth of a Nation in Victorian Culture: The Spanish Inquisition, the Converted Daughter, and the "Secret Race"
Representation, Conversion, and Literary Form: Harrington and the Novel of Jewish Identity
Jews and Other "Outlandish Englishmen": Ethnic Performance and the Invention of British Identity under the Georges

The Third World Acedemic in Other Places; or, the Postcolonial Intellectual Revisited

Bloom as a Modern Epic Hero

The Order of the City

Questions to Freudian Psychoanalysis: Dream Interpretation, Reality, Fantasy
The Secret of Psychoanalysis: History Reads Theory

The Law of Peoples

CRITICAL RESPONSE: But That Was in Another Ball Park: A Reply to Stanley Fish
CRITICAL RESPONSE: Making Sense of Interpretation

Who Speaks for Margaret Garner? Slavery, Silence, and the Politics of Ventriloquism

ARTISTS ON ART: Birth of a Fiction
Composition Discomposed
Proust: A Retrospective Reading

Rhapsodies on a Cat-Piano

Lies

The Metaphorical Process as Cognition, Imagination, and Feeling
Narrative Time

Intertextual Representation: On Mimesis as Interpretive Discourse
The Intertextual Unconscious
Syllepsis

Doubles and Counterparts: Patterns of Interchangeability in Borges' "The Garden of Forking Paths"

ARTISTS ON ART: Order and Disorder in Film and Fiction

It Takes One to Know One: Passing and Communities of Common Interest

The Specialist on the Eichmann Precedent: Morality, Law, and Military Sovereignty

ON MODERNISM: Can the Arts Survive Modernism? (A Discussion of the Characteristics, History, and Legacy of Modernism)
CRITICAL RESPONSE: Kramer vs. Kramer

Blackface, White Noise: The Jewish Jazz Singer Finds His Voice
The Great Mother Domesticated: Sexual Difference andSexual Indifference in D. W. Griffith's Intolerance

Who's Left Out? A Rose by Any Other Name Is Still Red; Or, The Politics of Pluralism

Deconstruction and Circumvention
CRITICAL RESPONSE: The Higher Nominalism in a Nutshell: A Reply to Henry Staten
PRAGMATISM AND LITERARY THEORY: Philosophy Without Principles
AN EXCHANGE ON TRUTH, FREEDOM, AND POLITICS: Truth and Freedom: A Reply to Thomas McCarthy

On the `Universality' of Madness: Bessie Head's "A Question of Power"
The Question of Zionism: Continuing the Dialogue

Mothers and Authors: Johnson v. Clavert and the New Children of Our Imaginations

Metaphysical Feelings in Modern Art

On Aristotle and Thought in the Drama
CRITICAL RESPONSE: Rethinking Aristotle's "Thought": A Response to James E. Ford

On the Recognition and Identification of Objects in Paintings
CRITICAL RESPONSE: A Reply to John Reichert and Stanley Fish
Van Dyck and the English Court: The Relations of Portraiture and Allegory

The World Literature and Cultural Studies Program
Establishing Consensus: May '68 in France as Seen from the 1980s

Getting out of the Gernsback Continuum

An Interview with Paul de Man

Fashionable Theory and Fashion-able Women: Returning Fuss's Homospectoral Look

Good With Her Hands

Critical Response I: Yes, Yes, the University in Ruins

Duchamp's Mischief

"Mere Words": The Trial of Ezra Pound

I. A. Richards in Retrospect
A Study in Influence: The Moore-Richards Paradigm

CRITICAL RESPONSE: Notes and Exchanges