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Volume 32, Number 4

W. J. T. Mitchell
Christo's Gates and Gilo's Wall

John Berger
Undefeated Despair

Carlos Fuentes
In Praise of the Novel

Marjorie Garber
Loaded Words

Ziba Mir-Hosseini
Muslim Women's Quest for Equality: Between Islamic Law and Feminism

Ernesto Laclau
Why Constructing a People Is the Main Task of Radical Politics

Terry Smith
Contemporary Art and Contemporaneity

Simon Goldhill
On Knowingness

Roberto Farneti
Of Humans and Other Portentous Beings: On Primo Levi's Storie naturali

Jas' Elsner
From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept of Kunstwollen

Stanley Cavell
Excerpts from Memory

Books of Critical Interest

Critical Inquiry Volume 32, Number 4, Summer 2006
© 2006 by The University of Chicago. 0093-1896/2006/3204-0009 $10.00

Marjorie Garber
Loaded Words

What is the other, or opposite, of knowledge? Ignorance? Uncertainty? Undecidability? Theory? Belief? What is the other, or opposite, of belief? Unbelief? Disbelief? Doubt? Atheism? Agnosticism? Certainty? Knowledge?

How we define the range of signification and connotation here will shape the way we think about these contestatory, overused, and ultimately unsatisfactory terms, terms that are both empty and loaded. Empty because they can mean so many different things in different disciplines, practices, and semiotic schemes. Loaded because they are stuffed, even overstuffed, with meanings and implications, like a sofa or a foie gras duck or a comic farce. Or a loaded gun.

We are familiar with the theatrical truism about a gun onstage: if it's there, it will be fired sometime before the close of the play. Its very presence implies the necessity of an action. So too with these loaded words. They will go off, somehow, somewhere, within the frame of our expectations as we saw in the public dialogues on the question of, say, Darwinian evolution versus "intelligent design." Or "faith-based" charities, and politics, and tax exemptions, or Supreme Court nominees. Or Terry Schiavo and the definition of life and death. Or the intentions of the authors of the U.S. constitution.


MARJORIE GARBER is the William R. Kenan, Jr., Professor of English and American Literature and Language and of visual and environmental studies at Harvard University, where she is chair of the department of visual and environmental studies and director of the Carpenter Center for the Visual Arts. Author of, among many works, Shakespeare after All (2004), which was awarded the 2005 Christian Gauss Prize, she is currently working on Patronizing the Arts, a study of art patronage, cultural institutions, and mutual misprision.