A B C D E F G H I J K L M N O P Q R S T U V W X Y Z


Abbate, Carolyn.
Music--Drastic or Gnostic?.

Abel, Elizabeth.
Bathroom Doors and Drinking Fountains: Jim Crow's Racial Symbolic.
Black Writing, White Reading: Race and the Politics of Feminist Interpretation.
Double Take: Photography, Cinema, and the Segregated Theater.
Editor's Introduction.
Mania, Depression, and the Future of Theory.
Redefining the Sister Arts: Baudelaire's Response to the Art of Delacroix.

Abraham, Nicolas, and Nicholas Rand.
Notes on the Phantom: A Complement to Freud's Metapsychology.

Abrams, M. H.
Behaviorism and Deconstruction: A Comment on Morse Peckham's "The Infinitude of Pluralism".
The Deconstructive Angel.
Rationality and Imagination in Cultural History: A Reply to Wayne Booth.

Abramson, Daniel.
Maya Lin and the 1960s: Monuments, Time Lines, and Minimalism.

Abu-Lughod, Lila.
About Politics, Palestine, and Friendship: A Letter to Edward from Egypt.

Acconci, Vito.
Public Space in a Private Time.

Ackerman, James S.
On Judging Art without Absolutes.
Transactions in Architectural Design.

Adamowski, T. H.
Being Perfect: Lawrence, Sartre, and "Women in Love".

Adams, Hazard.
Canons: Literary Criteria/Power Criteria.

Agawn, Kofi.
Representing African Music.

Alarcon , Ricardo.
The Return of C. Wright Mills at the Dawn of a New Era.

Alder, Ken.
History's Greatest Forger: Science, Fiction, and Fraud along the Seine.

Alkon, Paul K.
Visual Rhetoric in "The Autobiography of Alice B. Toklas".

Allen, Danielle.
On the Sociological Imagination.

Alpers, Paul, Donald Davie, and Julia Kristeva.
Responses to "The Politics of Interpretation".

Alpers, Paul.
What Is Pastoral?.

Alter, Robert.
Biblical Type-Scenes and the Uses of Convention.

Althusser, Louis, and Richard Veasey.
The Future Lasts Forever.

Altieri, Charles.
Culture and Skepticism: A Response to Michael Fischer.
An Idea and Ideal of a Literary Canon.
John Ashbery and the Challenge of Postmodernism in the Visual Arts.
Presence and Reference in a Literary Text: The Example of Williams' "This Is Just to Say".
Tractatus Logico-Poeticus.
What Is Living and What Is Dead in American Postmodernism: Establishing the Contemporaneity of Some American Poetry.

Amariglio, Jack, Stephen Resnick, and Richard Wolff.
Division and Difference in the "Discipline" of Economics.

Anderson, Amanda.
Pragmatism and Character.

Anderson, Benedict.
Exodus.

Anderson, PaulAllen.
The World Heard: Casablanca and the Music of War.

Anderson, Warwick.
"Where Every Prospect Pleases and Only Man Is Vile": Laboratory Medicine as Colonial Discourse.
Excremental Colonialism: Public Health and the Poetics of Pollution.

Andriopoulos, Stefan.
Psychic Television.

Anidjar, Gil.
Secularism.

Antin, David.
Fine Furs.

Apostolides, Jean-Marie, and Alice Musick McLean.
Moliere and the Sociology of Exchange.

Apostolides, Jean-Marie.
On Paul de Man's War.

Appiah, Anthony.
The Uncompleted Argument: Du Bois and the Illusion of Race.

Appiah, Kwame Anthony, and Jr. Gates.
Editors' Introduction: Multiplying Identities.

Appiah, Kwame Anthony.
Cosmopolitan Patriots.
Is the Post- in Postmodernism the Post- in Postcolonial?.
Liberalism, Individuality, and Identity.

Apter, Andrew.
"Que Faire?" Reconsidering Inventions of Africa.

Apter, Emily.
Global Translatio: The "Invention" of Comparative Literature, Istanbul, 1933.

Argan, Giulio Carlo, and Rebecca West.
Ideology and Iconology.

Armajani, Siah.
The Glass Front Porch for Walter Benjamin.

Arnheim, Rudolf.
Art among the Objects.
On the Nature of Photography.
A Plea for Visual Thinking.
A Stricture on Space and Time.

Ashton, Dore.
No More than an Accident?.
On Harold Rosenberg.

Attwell, David.
Intimate Enmity in the Journal of Tiyo Soga.

Auerbach, Jonathan.
Chasing Film Narrative: Repetition, Recursion, and the Body in Early Cinema.

Auerbach, Nina.
Magi and Maidens: The Romance of the Victorian Freud.

Ayala, Francisco.
Ortega y Gasset, Literary Critic.

Baetens, Jan.
The Intermediate Domain, or the Photographic Novel and the Problem of Value.
Novelization, a Contaminated Genre?.

Bajorek, Jennifer.
The Offices of Homeland Security, or Hlderlin's Terrorism.

Baker, David J.
Ea and Knowing in Hawai'i.

Baker, Jr. .
Caliban's Triple Play.

Bal, Mieke.
De-Disciplining the Eye.
Semiotic Elements in Academic Practices.
Telling, Showing, Showing off.

Barenboim, Daniel.
Maestro.

Barrell, John.
Subject and Sentence: The Poetry of Tom Raworth.

Bartlett, Lee.
What Is "Language Poetry"?.

Barzun, Jacques.
Biography and Criticism: A Misalliance Disputed.

Bate, Walter Jackson.
To the Editor of "Critical Inquiry".

Battaglia, Debbora.
Multiplicities: An Anthropologist's Thoughts on Replicants and Clones in Popular Film.

Battersby, James L, and James Phelan.
Meaning as Concept and Extension: Some Problems.

Baym, Nina.
Between Enlightenment and Victorian: Toward a Narrative of American Women Writers Writing History.

Beaver, Harold.
Homosexual Signs (In Memory of Roland Barthes).

Beck, Jonathan.
Formalism and Virtuosity: Franco-Burgundian Poetry, Music, and Visual Art, 1470-1520.

Bedient, Calvin.
How I Slugged It out with Toril Moi and Stayed Awake.
Kristeva and Poetry as Shattered Signification.

Bell, Barbara Currier, and Carol Ohmann.
Virginia Woolf's Criticism: A Polemical Preface.

Bell, Quentin, E. H Gombrich, and James S Ackerman.
Notes and Exchanges.

Bell, Quentin.
A "Radiant" Friendship.
Art and the Elite.
The Art Critic and the Art Historian.
Bloomsbury and "The Vulgar Passions".
Reply to Jane Marcus.

Bellow, Saul.
A World Too Much with Us.

Belting, Hans.
Image, Medium, Body: A New Approach to Iconology.

Ben-Ghiat, Ruth.
Envisioning Modernity: Desire and Discipline in the Italian Fascist Film.

Bennett, Tony.
The Multiplication of Culture's Utility.

Bercovitch, Sacvan.
The Problem of Ideology in American Literary History.

Berger, John.
Undefeated Despair.

Berlant, Lauren, and Michael Warner.
Sex in Public.

Berlant, Lauren.
'68, or Something.
Critical Inquiry, Affirmative Culture.
Intimacy: A Special Issue.
Introduction: What Does It Matter Who One Is?.
On the Case.
Race, Gender, and Nation in "The Color Purple".
Slow Death (Sovereignty, Obesity, Lateral Agency).

Bernheimer, Charles.
Response to Peter Brooks.

Bernstein, Charles.
Optimism and Critical Excess (Process).

Bernstein, Michael Andre.
"O Totiens Servus": Saturnalia and Servitude in Augustan Rome.
"These Children That Come at You with Knives": "Ressentiment", Mass Culture, and the Saturnalia.
Image, Word, and Sign: The Visual Arts as Evidence in Ezra Pound's "Cantos".
When the Carnival Turns Bitter: Preliminary Reflections upon the Abject Hero.

Berrong, Richard M.
Finding Antifeminism in Rabelais; Or, a Response to Wayne Booth's Call for an Ethical Criticism.

Bersani, Leo.
"The Culture of Redemption": Marcel Proust and Melanie Klein.
Psychoanalysis and the Aesthetic Subject.
Rejoinder to Walter Benn Michaels.
Sociality and Sexuality.

Bhabha, Homi K.
Signs Taken for Wonders: Questions of Ambivalence and Authority under a Tree outside Delhi, May 1817.

Bhabha, Homi.
Adagio.
Editor's Introduction: Minority Maneuvers and Unsettled Negotiations.

Bhabha, HomiK.
Statement for the Critical Inquiry Symposium.

Biagioli, Mario.
Etiquette, Interdependence, and Sociability in Seventeenth-Century Science.

Bilgrami, Akeel.
Critical Response II Reply to Bruce Robbins's "Not without Reason".
Interpreting a Distinction.
Occidentalism, the Very Idea: An Essay on Enlightenment and Enchantment.
What Is a Muslim? Fundamental Commitment and Cultural Identity.

Black, Max.
How Metaphors Work: A Reply to Donald Davidson.

Blair, Ann.
Note Taking as an Art of Transmission.

Blair, Walter.
Americanized Comic Braggarts.

Blanchot, Maurice, and Paula Wissing.
Thinking the Apocalypse: A Letter from Maurice Blanchot to Catherine David.

Bloom, Harold.
Poetry, Revisionism, Repression.

Bois, Yve-Alain, and Amy Reiter-McIntosh.
Piet Mondrian, "New York City".

Bonnefoy, Yves, and John Naughton.
Lifting Our Eyes from the Page.

Booth, Wayne C.
"Preserving the Exemplar": Or, How Not to Dig Our Own Graves.
Freedom of Interpretation: Bakhtin and the Challenge of Feminist Criticism.
Irony and Pity Once Again: "Thais" Revisited.
Kenneth Burke's Way of Knowing.
M. H. Abrams: Historian as Critic, Critic as Pluralist.
Metaphor as Rhetoric: The Problem of Evaluation.
Pluralism in the Classroom.
Reply to Richard Berrong.
Ten Literal "Theses".

Booth, Wayne.
To: All Who Care about the Future of Criticism.

Borch-Jacobsen, Mikkel, and Douglas Brick.
The Oedipus Problem in Freud and Lacan.

Bordo, Jonathan.
Picture and Witness at the Site of the Wilderness.

Borges, Jorge Luis.
Post-Lecture Discussion of His Own Writing.
Walt Whitman: Man and Myth.

Bourdieu, Pierre, and Priscilla Parkhurst Ferguson.
Flaubert's Point of View.

Bouveresse, Jacques, Christian Fournier, and Sandra Laugier.
Philosophy from an Antiphilosopher: Paul Valery.

Bove, Paul A.
Giving Thought to America: Intellect and "The Education of Henry Adams".

Bove, Paul.
Continuing the Conversation.

Boyarin, Daniel, and Jonathan Boyarin.
Diaspora: Generation and the Ground of Jewish Identity.
Toward a Dialogue with Edward Said.

Boyarin, Daniel.
"This We Know to Be the Carnal Israel": Circumcision and the Erotic Life of God and Israel.
The Eye in the Torah: Ocular Desire in Midrashic Hermeneutic.

Boym, Svetlana.
On Diasporic Intimacy: Ilya Kabakov's Installations and Immigrant Homes.

Brantlinger, Patrick.
A Postindustrial Prelude to Postcolonialism: John Ruskin, William Morris, and Gandhism.
Victorians and Africans: The Genealogy of the Myth of the Dark Continent.

Bratu Hansen, Miriam.
Benjamin's Aura.

Bredekamp, Horst, Melissa Thorson Hause, and Jackson Bond.
From Walter Benjamin to Carl Schmitt, via Thomas Hobbes.

Bredekamp, Horst.
A Neglected Tradition? Art History as Bildwissenschaft.

Breithaupt, Fritz.
The Invention of Trauma in German Romanticism.

Brenkman, John, and Jules David Law.
Resetting the Agenda.

Brenkman, John.
Extreme Criticism.
Reply to Drucilla Cornell.

Brennan, Tim.
Off the Gangsta Tip: A Rap Appreciation, or Forgetting about Los Angeles.
Rap Redoubt: The Beauty of the Mix.

Brennan, Timothy.
Critical Response II The Magician's Wand: A Rejoinder to Hardt and Negri.
The Empire's New Clothes.
The Illusion of a Future: "Orientalism" as Traveling Theory.
Resolution.

Brenner, Rachel Feldhay.
"Hidden Transcripts" Made Public: Israeli Arab Fiction and Its Reception.

Brinker, Menachem.
Farce and the Poetics of the "Vraisemblable".

Bristow, Joseph.
The Obscenity of Philip Larkin.

Bronson, Bertrand H.
Traditional Ballads Musically Considered.

Brooks, Peter.
Aesthetics and Ideology: What Happened to Poetics?.
The Idea of a Psychoanalytic Literary Criticism.
Response to Charles Bernheimer.
Storied Bodies, or Nana at Last Unveil'd.

Brown, Bill.
All Thumbs.
How to Do Things with Things (A Toy Story).
Reification, Reanimation, and the American Uncanny.
Thing Theory.
The Tyranny of Things (Trivia in Karl Marx and Mark Twain).
Writing, Race, and Erasure: Michael Fried and the Scene of Reading.

Brown, Marshall.
The Classic Is the Baroque: On the Principle of Wolfflin's Art History.
Mozart and after: The Revolution in Musical Consciousness.

Brudney, Daniel.
Knowledge and Silence: "The Golden Bowl" and Moral Philosophy.

Bruner, Jerome.
The Narrative Construction of Reality.

Bruns, Gerald L.
Canon and Power in the Hebrew Scriptures.
Intention, Authority, and Meaning.
Loose Talk about Religion from William James.
Reply to Crewe and Conant.
Stanley Cavell's Shakespeare.

Bryson, Norman.
Chardin and the Text of Still Life.

Buck-Morss, Susan.
Envisioning Capital: Political Economy on Display.
Hegel and Haiti.

Buell, Lawrence.
Toxic Discourse.

Burgin, Victor.
Jenni's Room: Exhibitionism and Solitude.

Burke, Carolyn.
Gertrude Stein, the Cone Sisters, and the Puzzle of Female Friendship.

Burke, Kenneth.
(Nonsymbolic) Motion/(Symbolic) Action.
A Critical Load, beyond That Door; Or, before the Ultimate Confrontation; Or, When Thinking of Deconstructionist Structuralists; Or, A Hermeneutic Fantasy.
Dancing with Tears in My Eyes.
Methodological Repression and/or Strategies of Containment.
Post-Poesque Derivation of a Terministic Cluster.

Burnett, Anne.
The Scrutiny of Song: Pindar, Politics, and Poetry.

Burshatin, Israel.
The Moor in the Text: Metaphor, Emblem, and Silence.

Bush, Douglas.
Professor Fish on the Milton "Variorum".

Bynum, Caroline.
Why All the Fuss about the Body? A Medievalist's Perspective.

Caesar, Terry.
[Professional Harassment]: Response.

Cameron, Sharon.
Naming as History: Dickinson's Poems of Definition.
The Practice of Attention: Simone Weil's Performance of Impersonality.
The Way of Life by Abandonment: Emerson's Impersonal.

Camille, Michael.
The "Tres Riches Heures": An Illuminated Manuscript in the Age of Mechanical Reproduction.

Canguilhem, Georges, and Ann Hobart.
Introduction to "Penser la folie: Essais sur Michel Foucault".
On "Histoire de la folie" as an Event.
Report from Mr. Canguilhem on the Manuscript Filed by Mr. Michel Foucault, Director of the Institut Francais of Hamburg, in Order to Obtain Permission to Print His Principal Thesis for the Doctor of Letters.

Carby, Hazel V.
"On the Threshold of Woman's Era": Lynching, Empire, and Sexuality in Black Feminist Theory.
Policing the Black Woman's Body in an Urban Context.

Carreter, Fernando Lazaro.
The Literal Message.

Carrier, David.
The Presentness of Painting: Adrian Stokes as Aesthetician.

Carringer, Robert L.
"Citizen Kane", "The Great Gatsby", and Some Conventions of American Narrative.
Orson Welles and Gregg Toland: Their Collaboration on "Citizen Kane".
The Scripts of "Citizen Kane".

Caruth, Cathy.
The Claims of the Dead: History, Haunted Property, and the Law.

Castle, Terry.
Contagious Folly: "An Adventure" and Its Skeptics.
Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie.

Cavell, Stanley.
Benjamin and Wittgenstein: Signals and Affinities.
The Division of Talent.
Excerpts from Memory.
Freud and Philosophy: A Fragment.
North by Northwest.
On Makavejev on Bergman.
Politics as Opposed to What?.
Postscript (1989): To Whom It May Concern.
A Reply to John Hollander.
Ugly Duckling, Funny Butterfly: Bette Davis and "Now, Voyager".
Who Disappoints Whom?.

Cawelti, John G.
Myths of Violence in American Popular Culture.

Caws, Mary Ann.
Literal or Liberal: Translating Perception.

Celli, Carlo, and Marcello Pezzetti.
Interview with Marcello Pezzetti.

Chace, William M.
Ezra Pound: "Insanity," "Treason," and Care.

Chakrabarty, Dipesh.
Romantic Archives: Literature and the Politics of Identity in Bengal.
Where Is the Now?.

Chambers, Ross.
Commentary in Literary Texts.

Chandler, James K.
Romantic Allusiveness.

Chandler, James, Arnold I Davidson, and Harry Harootunian.
Editors' Introduction: Questions of Evidence.
Editors' Introduction: Questions of Evidence.
Editors' Introduction: Questions of Evidence.

Chandler, James, ArnoldI Davidson, and Adrian Johns.
Arts of Transmission: An Introduction.

Chandler, James.
Critical Disciplinarity.
On the Face of the Case: Conrad, Lord Jim, and the Sentimental Novel.
The Pope Controversy: Romantic Poetics and the English Canon.

Chaouli, Michel.
How Interactive Can Fiction Be?.

Chartier, Roger.
Languages, Books, and Reading from the Printed Word to the Digital Text.

Chatman, Seymour.
Reply to Barbara Herrnstein Smith.
What Novels Can Do That Films Can't (And Vice Versa).

Chen, Xiaomei.
Occidentalism as Counterdiscourse: "He Shang" in Post-Mao China.

Cherchi, Paolo A.
Tradition and Topoi in Medieval Literature.

Chomsky, Noam.
Homi Bhabha Talks with Noam Chomsky.

Chow, Rey.
Fateful Attachments: On Collecting, Fidelity, and Lao She.

Christensen, Jerome.
"Like a Guilty Thing Surprised": Deconstruction, Coleridge, and the Apostasy of Criticism.
Critical Response II Taking It to the Next Level: You've Got Mail, Havholm and Sandifer.
From Rhetoric to Corporate Populism: A Romantic Critique of the Academy in an Age of High Gossip.
The Romantic Movement at the End of History.
Spike Lee, Corporate Populist.
The Time Warner Conspiracy: JFK, Batman, and the Manager Theory of Hollywood Film.

Cixous, Helene, and Chris Miller.
We Who Are Free, Are We Free?.

Cixous, Helene.
Jacques Derrida as a Proteus Unbound.

Clark, T. J.
Clement Greenberg's Theory of Art.

Clayton, Jay.
Narrative and Theories of Desire.

Clover, Carol J.
Dancin' in the Rain.

Cohen, Ted.
Metaphor and the Cultivation of Intimacy.

Cole, Catherine M.
Reading Blackface in West Africa: Wonders Taken for Signs.

Comaroff, JeanandJohn.
Criminal Obsessions, after Foucault: Postcoloniality, Policing, and the Metaphysics of Disorder.

Conant, James.
In the Electoral Colony: Kafka in Florida.
On Bruns, on Cavell.

Cone, Edward T.
In Defense of Song: The Contribution of Roger Sessions.

Conger, William, and Thierry de Duve.
Letters to the Editor.

Cooper, David D.
The Poet as Elaborator: Analytical Psychology as a Critical Paradigm.

Cornell, Drucilla.
Enlightening the Enlightenment: A Response to John Brenkman.

Corngold, Stanley.
Error in Paul de Man.

Costello, Diarmuid.
On the Very Idea of a 'Specific' Medium: Michael Fried and Stanley Cavell on Painting and Photography as Arts.

Cottom, Daniel.
The Enchantment of Interpretation.
On the Dignity of Tables.
Purity.

Crapanzano, Vincent.
"Lacking Now Is Only the Leading Idea, That Is: We, the Rays, Have No Thoughts": Interlocutory Collapse in Daniel Paul Schreber's "Memoirs of My Nervous Illness".

Crewe, Jonathan.
Gerald Bruns's Cavell.
Toward Uncritical Practice.

Crews, Frederick.
Reductionism and Its Discontents.

Culler, Jonathan.
"Paul de Man's War" and the Aesthetic Ideology.

Daiches, David.
What Was the Modern Novel?.

Dainotto, Roberto Maria.
"All the Regions Do Smilingly Revolt": The Literature of Place and Region.

Dalton, Karen C. C, and Jr. Gates.
Josephine Baker and Paul Colin: African American Dance Seen through Parisian Eyes.

Daston, Lorraine.
Enlightenment Calculations.
Marvelous Facts and Miraculous Evidence in Early Modern Europe.
Type Specimens and Scientific Memory.
Whither Critical Inquiry?.

Davey, Frank.
Canadian Canons.

Davidson, Arnold I.
How to Do the History of Psychoanalysis: A Reading of Freud's "Three Essays on the Theory of Sexuality".
Introduction to Musil and Levinas.
Introductory Remarks.
Introductory Remarks.
Questions concerning Heidegger: Opening the Debate.
Sex and the Emergence of Sexuality.
Spiritual Exercises and Ancient Philosophy: An Introduction to Pierre Hadot.

Davidson, Donald.
The Third Man.
What Metaphors Mean.

Davie, Donald A.
Poet: Patriot: Interpreter.

Davis, Angela Y.
Afro Images: Politics, Fashion, and Nostalgia.

Davis, Walter A.
The Fisher King: "Wille zur Macht" in Baltimore.
Offending the Profession (After Peter Handke).

Dawes, James.
Atrocity and Interrogation.

de Duve, Thierry, and Brian Holmes.
How Manet's "A Bar at the Folies-Bergere" Is Constructed.

de Duve, Thierry.
Intuition, Logic, Intuition.

de Lauretis, Teresa.
Becoming Inorganic.
Nightwood and the "Terror of Uncertain Signs".
Statement Due.
The Stubborn Drive.

de Man, Paul.
The Epistemology of Metaphor.
A Letter from Paul de Man.
Political Allegory in Rousseau.
Reply to Raymond Geuss.
Sign and Symbol in Hegel's "Aesthetics".

Dean, Leonard.
Theory and the Muddle.

Debray, Regis, and Eric Rauth.
The Three Ages of Looking.

DeJean, Joan.
Did the Seventeenth Century Invent Our Fin de Siecle? Or, the Creation of the Enlightenment That We May at Last Be Leaving behind.
Fictions of Sappho.
The Work of Forgetting: Commerce, Sexuality, Censorship, and Molires Le Festin de Pierre.

Deleuze, Gilles, Daniel W Smith, and Arnold I Davidson.
The Conditions of the Question: What Is Philosophy?.

Dembowski, Peter F.
Vocabulary of Old French Courtly Lyrics: Difficulties and Hidden Difficulties.

Denes, Agnes.
The Dream.

Denham, Robert.
The No-Man's Land of Competing Patterns.

Derrida, Jacques, and Alan Bass.
The Linguistic Circle of Geneva.

Derrida, Jacques, and Avital Ronell.
The Law of Genre.

Derrida, Jacques, and David Wills.
The Animal That Therefore I Am (More to Follow).

Derrida, Jacques, and Lawrence Venuti.
What Is a "Relevant" Translation?.

Derrida, Jacques, and Peggy Kamuf.
Biodegradables Seven Diary Fragments.
But, beyond... (Open Letter to Anne McClintock and Rob Nixon).
Given Time: The Time of the King.
Like the Sound of the Sea Deep within a Shell: Paul de Man's War.
Racism's Last Word.

Derrida, Jacques, Geoff Bennington, and Rachel Bowlby.
Of Spirit.

Derrida, Jacques, Pascale-Anne Brault, and Michael Naas.
"To Do Justice to Freud": The History of Madness in the Age of Psychoanalysis.
Adieu.
By Force of Mourning.

Derrida, Jacques.
A Certain Impossible Possibility of Saying the Event.
Final Words.
"Justices".

Desmond, Marilynn.
The Voice of Exile: Feminist Literary History and the Anonymous Anglo-Saxon Elegy.

Diana, Goffredo, John Beverley, and Roberto Fernandez Retamar.
These Are the Times We Have to Live in: An Interview with Roberto Fernandez Retamar.

Dickstein, Morris.
Arnold Then and Now: The Use and Misuse of Criticism.

Dirlik, Arif.
The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism.

Doane, Mary Ann.
Temporality, Storage, Legibility: Freud, Marey, and the Cinema.

Doherty, Brigid.
"See: "We Are All Neurasthenics"!" or, the Trauma of Dada Montage.

Donoghue, Denis.
A Reply to Frank Kermode.

Donovan, Josephine.
Feminism and Aesthetics.

Dor, Daniel.
Is There Anything We Might Call Dissent in Israel? (And, If There Is, Why Isn't There?).

Dowling, William C.
Intentionless Meaning.
Invisible Audience: Peter J. Rabinowitz's "Truth in Fiction".

Dubow, Jessica.
Case Interrupted: Benjamin, Sebald, and the Dialectical Image.

Dumm, Thomas L.
Resignation.

During, Simon.
After Death: Raymond Williams in the Modern Era.

Dworkin, Ronald.
Law as Interpretation.

Eagleton, Terry.
Two Approaches in the Sociology of Literature.

Edwards, Brent Hayes.
Louis Armstrong and the Syntax of Scat.

Edwards, Lee R.
The Labors of Psyche: Toward a Theory of Female Heroism.

Ekins, James.
Critical ResponseWhat Do We Want Photography to Be? A Response to Michael Fried.

Elkins, James.
Art History without Theory.
Marks, Traces, "Traits," Contours, "Orli," and "Splendores": Nonsemiotic Elements in Pictures.
Precision, Misprecision, Misprision.
What Do We Want Pictures to Be? Reply to Mieke Bal.

Elliot, Alistair, and Richard Stern.
A Poetic Exchange.

Ellison, Julie.
A Short History of Liberal Guilt.

Ellmann, Richard.
Joyce and Homer.

Elsner, Jas'.
From Empirical Evidence to the Big Picture: Some Reflections on Riegl's Concept of Kunstwollen.

Emerson, Caryl.
The Outer Word and Inner Speech: Bakhtin, Vygotsky, and the Internalization of Language.

English, Daylanne K.
Selecting the Harlem Renaissance.

Eoyang, Eugene.
Beyond Visual and Aural Criteria: The Importance of Flavor in Chinese Literary Criticism.

Epstein, William H.
Tryouts: A Memoir.

Erkkila, Betsy.
Greta Garbo: Sailing beyond the Frame.

Erlich, Bruce.
Amphibolies: On the Critical Self-Contradictions of "Pluralism".

Ermarth, Elizabeth.
Realism, Perspective, and the Novel.

Esposito, Elena.
The Arts of Contingency.

Fabbri, Lorenzo.
Philosophy as Chance: An Interview with Jean-Luc Nancy.

Fabian, Johannes.
Presence and Representation: The Other and Anthropological Writing.
Remembering the Other: Knowledge and Recognition in the Exploration of Central Africa.

Farneti, Roberto.
Of Humans and Other Portentous Beings: On Primo Levi's Storie naturali.

Faure, Bernard.
The Buddhist Icon and the Modern Gaze.

Fehl, Philipp P.
Farewell to Jokes: The Last "Capricci" of Giovanni Domenico Tiepolo and the Tradition of Irony in Venetian Painting.

Fehl, Philipp.
Turner's Classicism and the Problem of Periodization in the History of Art.

Feld, Steven.
They Repeatedly Lick Their Own Things.

Felman, Shoshana.
Benjamin's Silence.
II. : A Response to Marianna Torgovnick.
Paul de Man's Silence.
Theaters of Justice: Arendt in Jerusalem, the Eichmann Trial, and the Redefinition of Legal Meaning in the Wake of the Holocaust.

Felperin, Howard.
Romance and Romanticism.

Ferguson, Frances.
Emma, or Happiness (or Sex Work).
Getting Past Yes to Number One.
I. Why Is This Man So Angry? A Reply to Loren Glass.
Jacques Derrida and the Critique of the Geometrical Mode: The Line and the Point.
Pornography: The Theory.

Ferguson, Priscilla Parkhurst, Philippe Desan, and Wendy Griswold.
Editors' Introduction: Mirrors, Frames, and Demons: Reflections on the Sociology of Literature.

Feyerabend, Paul.
Creativity: A Dangerous Myth.

Fischer, Michael.
Rehabilitating Reference: Charles Altieri's "Presence and Reference in a Literary Text".

Fish, Stanley E.
Facts and Fictions: A Reply to Ralph Rader.
Interpreting "Interpreting the Variorum".
Interpreting the "Variorum".
Normal Circumstances, Literal Language, Direct Speech Acts, the Ordinary, the Everyday, the Obvious, What Goes without Saying, and Other Special Cases.
One More Time.
A Reply to John Reichert; Or, How to Stop Worrying and Learn to Love Interpretation.
With the Compliments of the Author: Reflections on Austin and Derrida.

Fish, Stanley.
Consequences.
Fear of Fish: A Reply to Walter Davis.
Profession Despise Thyself: Fear and Self-Loathing in Literary Studies.
Spectacle and Evidence in "Samson Agonistes".
Take This Job and Do It: Administering the University without an Idea.
Theory's Hope.
Truth but No Consequences: Why Philosophy Doesn't Matter.
Working on the Chain Gang: Interpretation in the Law and in Literary Criticism.

Fisher, John.
Entitling.

Fisher, Philip.
Jasper Johns: Strategies for Making and Effacing Art.

Flanagan, Thomas.
Yeats, Joyce, and the Matter of Ireland.

Fleissner, JenniferL.
Obsessional Modernity: The "Institutionalization of Doubt".

Flesch, William.
Quoting Poetry.

Fletcher, Angus.
Northrop Frye: The Critical Passion.

Flusser, Vilem.
The City as Wave-Trough in the Image-Flood.

Ford, James E.
On Thinking about Aristotle's "Thought".

Forrester, John.
On Kuhn's Case: Psychoanalysis and the Paradigm.

Foster, Hal.
"Primitive" Scenes.

Foucault, Michel, Peter Stastny, and Deniz Sengel.
Madness, the Absence of Work.

Foucault, Michel.
The Subject and Power.

Fox, Susan.
The Female as Metaphor in William Blake's Poetry.

Fraiman, Susan.
Jane Austen and Edward Said: Gender, Culture, and Imperialism.

Franciscono, Marcel.
History, Textbooks, and Art: Reflections on a Half Century of Helen Gardner's "Art through the Ages".

Frank, Joseph.
Spatial Form: An Answer to Critics.
Spatial Form: Some Further Reflections.

Franklin, John Hope.
George Washington Williams and the Beginnings of Afro-American Historiography.

Fraser, Nancy.
Sex, Lies, and the Public Sphere: Some Reflections on the Confirmation of Clarence Thomas.

Fried, Michael.
Almayer's Face: On "Impressionism" in Conrad, Crane, and Norris.
Barthes's Punctum.
Between Realisms: From Derrida to Manet.
Editorial Note: Two Poems by Michael Fried.
Forget It: A Response to Richard Shiff.
How Modernism Works: A Response to T. J. Clark.
Jeff Wall, Wittgenstein, and the Everyday.
Manet in His Generation: The Face of Painting in the 1860s.
Painter into Painting: On Courbet's "After Dinner at Ornans" and "Stonebreakers".
Painting Memories: On the Containment of the past in Baudelaire and Manet.
Response to Bill Brown.
Response to Caroline A. Jones.
Seven Poems.
The Structure of Beholding in Courbet's "Burial at Ornans".
Thoughts on Caravaggio.
Three Poems.

Friedberg, Maurice.
The U.S. in the U.S.S.R.: American Literature through the Filter of Recent Soviet Publishing and Criticism.

Frisch, Walter.
Music and Jugendstil.

Fromm, Harold.
The Hegemonic Form of Othering; Or, the Academic's Burden.

Froula, Christine.
Pechter's Specter: Milton's Bogey Writ Small; Or, Why Is He Afraid of Virginia Woolf?.
When Eve Reads Milton: Undoing the Canonical Economy.

Frow, John, and Meaghan Morris.
Two Laws: Response to Elizabeth Povinelli.

Frow, John.
A Pebble, a Camera, a Man Who Turns into a Telegraph Pole.

Frye, Northrop.
Expanding Eyes.

Fuentes, Carlos.
In Praise of the Novel.

Fuss, Diana.
Corpse Poem.
Fashion and the Homospectatorial Look.
Look Who's Talking, or If Looks Could Kill.

Gadamer, Hans-Georg, and John McCumber.
Back from Syracuse?.

Gaines, Jane.
Feminist Heterosexuality and Its Politically Incorrect Pleasures.

Galison, Peter.
Aufbau/Bauhaus: Logical Positivism and Architectural Modernism.
Einstein's Clocks: The Place of Time.
The Ontology of the Enemy: Norbert Wiener and the Cybernetic Vision.
Removing Knowledge.
Specific Theory.

Gallagher, Catherine.
A History of the Precedent: Rhetorics of Legitimation in Women's Writing.

Gallop, Jane.
"Writing and Sexual Difference": The Difference within.
Reading the Mother Tongue: Psychoanalytic Feminist Criticism.
Resisting Reasonableness.

Galt Harpham, Geoffrey.
Critical Response II Response to Slavoj Žižek.
Doing the Impossible: Slavoj Žižek and the End of Knowledge.

Garber, Marjorie.
" " (Quotation Marks).
Loaded Words.

Gardiner, Judith Kegan.
On Female Identity and Writing by Women.

Gardner, Howard, and Ellen Winner.
The Development of Metaphoric Competence: Implications for Humanistic Disciplines.

Gardner, John.
Death by Art; Or, "Some Men Kill You with a Six-Gun, Some Men with a Pen".

Gasche, Rodolphe.
European Memories: Jan Patočka and Jacques Derrida on Responsibility.

Gasset, Jose Ortega y.
Thoughts on Pio Baroja.

Gates, Jr. .
The "Blackness of Blackness": A Critique of the Sign and the Signifying Monkey.
Critical Fanonism.
Editor's Introduction: Writing "Race" and the Difference It Makes.
Harlem on Our Minds.
Talkin' That Talk.
Third World of Theory: Enlightenment's Esau.

Gelley, Ora.
A Response to Dominick LaCapra's "Lanzmann's Shoah".

Genette, Gerard, and Bernard Crampe.
Structure and Functions of the Title in Literature.

Genette, Gerard, and Thais E Morgan.
The Gender and Genre of Reverie.

Geuss, Raymond.
A Response to Paul de Man.

Geyer, Michael.
Multiculturalism and the Politics of General Education.

Gibbons, Reginald.
Poetic Form and the Translator.
Political Poetry and the Example of Ernesto Cardenal.

Gilbert, Anthony.
Musical Space: A Composer's View.

Gilbert, Sandra M, and Susan Gubar.
The Man on the Dump versus the United Dames of America; Or, What Does Frank Lentricchia Want?.
Masterpiece Theatre: An Academic Melodrama.

Gilbert, Sandra M.
Costumes of the Mind: Transvestism as Metaphor in Modern Literature.
Editorial Note.
Life's Empty Pack: Notes toward a Literary Daughteronomy.
Widow.

Gilbert-Rolfe, Jeremy.
Blankness as a Signifier.
Nietzschean Critique and the Hegelian Commodity, or the French Have Landed.

Gillman, Susan.
"Dementia Americana": Mark Twain, "Wapping Alice," and the Harry K. Thaw Trial.

Gilman, Ernest B.
Word and Image in Quarles' "Emblemes".

Gilman, Sander L.
Black Bodies, White Bodies: Toward an Iconography of Female Sexuality in Late Nineteenth-Century Art, Medicine, and Literature.
Is Life Beautiful? Can the Shoah Be Funny? Some Thoughts on Recent and Older Films.
The Struggle of Psychiatry with Psychoanalysis: Who Won?.

Gilman, SanderL.
Collaboration, the Economy, and the Future of the Humanities.

Ginzburg, Carlo, John Tedeschi, and Anne C Tedeschi.
Microhistory: Two or Three Things That I Know about It.

Ginzburg, Carlo.
Checking the Evidence: The Judge and the Historian.
Family Resemblances and Family Trees: Two Cognitive Metaphors.
Killing a Chinese Mandarin: The Moral Implications of Distance.
Latitude, Slaves, and the Bible: An Experiment in Microhistory.
Minutiae, Close-up, Microanalysis.

Glass, Loren.
II. Anger Management: A Response to Frances Ferguson.
Redeeming Value: Obscenity and Anglo-American Modernism.

Goldhill, Simon.
On Knowingness.

Gombrich, E. H, and Quentin Bell.
Canons and Values in the Visual Arts: A Correspondence.

Gombrich, E. H.
"They Were All Human Beings: So Much Is Plain": Reflections on Cultural Relativism in the Humanities.
The Museum: Past, Present and Future.
Representation and Misrepresentation.
Standards of Truth: The Arrested Image and the Moving Eye.

Goodheart, Eugene.
Arnold at the Present Time.
Replies to Stuart Tave and George Levine.

Goodman, Nelson, and Catherine Z Elgin.
Interpretation and Identity: Can the Work Survive the World?.

Goodman, Nelson.
How Buildings Mean.
Metaphor as Moonlighting.
Routes of Reference.
The Status of Style.
The Telling and the Told.
Twisted Tales; Or, Story, Study, and Symphony.

Goodrich, Peter.
Distrust Quotations in Latin.
The New Casuistry.

Goodwin, James.
Eisenstein, Ecstasy, Joyce, and Hebraism.

Gordon, Avery, and Christopher Newfield.
White Philosophy.

Gordon, Rae Beth.
From Charcot to Charlot: Unconscious Imitation and Spectatorship in French Cabaret and Early Cinema.

Gossett, Philip.
Verdi, Ghislanzoni, and "Aida": The Uses of Convention.

Graff, Gerald.
New Criticism Once More.
The Pseudo-Politics of Interpretation.

Grayson, Deborah R.
Mediating Intimacy: Black Surrogate Mothers and the Law.

Graziani, Ron.
Robert Smithson's Picturable Situation: Blasted Landscapes from the 1960s.

Greenblatt, Stephen J.
Marlowe, Marx, and Anti-Semitism.

Greenblatt, Stephen.
Loudun and London.
What Is the History of Literature?.

Griffin, Robert J.
Ideology and Misrepresentation: A Response to Edward Said.

Grimes, Margaret W, and Garry Wills.
Response to Garry Wills.

Griswold, Charles L, and Stephen S Griswold.
The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography.

Group, Chicago Cultural Studies.
Critical Multiculturalism.

Gubar, Susan.
"The Blank Page" and the Issues of Female Creativity.
Notations in "Medias Res".
Representing Pornography: Feminism, Criticism, and Depictions of Female Violation.
What Ails Feminist Criticism?.

Guha, Ranajit.
Not at Home in Empire.
The Turn.

Guillory, John.
Critical Response II The Name of Science, the Name of Politics.
The Ideology of Canon-Formation: T. S. Eliot and Cleanth Brooks.
The Memo and Modernity.
The Sokal Affair and the History of Criticism.

Guin, Ursula K. Le.
It Was a Dark and Stormy Night; Or, Why Are We Huddling about the Campfire?.

Gullon, Ricardo.
On Space in the Novel.

Habermas, Jurgen, and John McCumber.
Work and Weltanschauung: The Heidegger Controversy from a German Perspective.

Habermas, Jurgen, and Mathieu Deflem.
Georg Simmel on Philosophy and Culture: Postscript to a Collection of Essays.

Hacking, Ian.
The Making and Molding of Child Abuse.
Our Neo-Cartesian Bodies in Parts.
Two Souls in One Body.

HaCohen, Ruth.
Between Noise and Harmony: The Oratorical Moment in the Musical Entanglements of Jews and Christians.

Hadot, Pierre, Arnold I Davidson, and Paula Wissing.
Forms of Life and Forms of Discourse in Ancient Philosophy.

Hagstrum, Jean H.
Eros and Psyche: Some Versions of Romantic Love and Delicacy.

Halperin, David M.
Solzhenitsyn, Epicurus, and the Ethics of Stalinism.

Hanchard, Michael.
Jody.

Hansen, Mark.
The Time of Affect, or Bearing Witness to Life.

Hansen, Miriam Bratu.
"Schindler's List" Is Not "Shoah": The Second Commandment, Popular Modernism, and Public Memory.
Benjamin and Cinema: Not a One-Way Street.

Hansen, Miriam.
"With Skin and Hair": Kracauer's Theory of Film, Marseille 1940.
Why Media Aesthetics?.

Hardt, Michael, and Antonio Negri.
Critical Response I The Rod of the Forest Warden: A Response to Timothy Brennan.

Hargreaves, Jr. .
The Concept of Private Meaning in Modern Criticism.

Harootunian, Harry.
Conjunctural Traces: Said's "Inventory".
Remembering the Historical Present.
Theory's Empire: Reflections on a Vocation for Critical Inquiry.

Harper, Phillip Brian.
Nationalism and Social Division in Black Arts Poetry of the 1960s.

Harpham, Geoffrey Galt.
So... What Is Enlightenment? An Inquisition into Modernity.
Symbolic Terror.

Harries, Karsten.
The Many Uses of Metaphor.
Metaphor and Transcendence.

Harrison, Bernard.
'White Mythology' Revisited: Derrida and His Critics on Reason and Rhetoric.

Harrison, Charles.
Art & Language Paints a Landscape.
On the Surface of Painting.

Harrison, Robert P.
The Italian Silence.

Harrison, Robert Pogue.
Hic Jacet.
The Names of the Dead.

Hart, Joan.
Erwin Panofsky and Karl Mannheim: A Dialogue on Interpretation.

Harth, Phillip.
The New Criticism and Eighteenth-Century Poetry.

Hartman, Geoffrey H.
Benjamin in Hope.

Hartman, Geoffrey.
Homage to Glas.
Literary Criticism and Its Discontents.
The Recognition Scene of Criticism.

Hassan, Ihab.
Pluralism in Postmodern Perspective.

Hauser, Arnold, and Kenneth Northcott.
The "l'art pour l'art" Problem.

Havholm, Peter, and Philip Sandifer.
Critical Response I Corporate Authorship: A Response to Jerome Christensen.

Hawkins, Peter S.
Naming Names: The Art of Memory and the NAMES Project AIDS Quilt.

Hayles, N. Katherine.
Simulating Narratives: What Virtual Creatures Can Teach Us.
Traumas of Code.

Heaney, Seamus.
Now and in England.

Hebdige, Dick.
Even unto Death: Improvisation, Edging, and Enframement.

Heffernan, James A. W.
Looking at the Monster: "Frankenstein" and Film.
The Simpson Trial and the Forgotten Trauma of Lynching: A Response to Shoshana Felman.

Heilbrun, Carolyn G, and Sandra M Gilbert.
Letters to the Editor.

Heilbrun, Carolyn G.
Marriage and Contemporary Fiction.
A Response to "Writing and Sexual Difference".

Heiserman, Arthur.
Aphrodisian Chastity.

Heller, Erich.
The Dismantling of a Marionette Theater; Or, Psychology and the Misinterpretation of Literature.

Heller-Roazen, Daniel.
Philosophy before the Law: Averros's Decisive Treatise.

Helsinger, Elizabeth.
Clare and the Place of the Peasant Poet.
Constable: The Making of a National Painter.
Reflections on Reflections; or, Moving On.

Herbert, James D.
Bad Faith at Coventry: Spence's Cathedral and Britten's "War Requiem".
The Debts of Divine Music in Wagner's Ring des Nibelungen.

Hernadi, Paul.
Literary Theory: A Compass for Critics.
On the How, What, and Why of Narrative.

Herr, Cheryl.
The Erotics of Irishness.

Hertz, Neil.
A Reading of Longinus.

Herwitz, Daniel A.
The Security of the Obvious: On John Cage's Musical Radicalism.

Herzog, Dagmar.
"Pleasure, Sex, and Politics Belong Together": Post-Holocaust Memory and the Sexual Revolution in West Germany.

Higonnet, Patrice, Anne Higonnet, and Margaret Higonnet.
Facades: Walter Benjamin's Paris.

Hill, Leslie.
Flaubert and the Rhetoric of Stupidity.

Hirsch, Jr. .
Against Theory?.
Coming with Terms to Meaning.
Meaning and Significance Reinterpreted.
The Politics of Theories of Interpretation.
Stylistics and Synonymity.

Hirschkop, Ken.
A Response to the Forum on Mikhail Bakhtin.

Hoffman, Barbara.
Law for Art's Sake in the Public Realm.

Holdheim, W. Wolfgang.
Jacques Derrida's Apologia.

Holland, Norman N.
Human Identity.
I-ing Film.
Literary Interpretation and Three Phases of Psychoanalysis.
Why Ellen Laughed.

Hollander, John.
Stanley Cavell and "The Claim of Reason".

Holloway, John.
Narrative Structure and Text Structure: Isherwood's "A Meeting by the River," and Muriel Spark's "The Prime of Miss Jean Brodie".
Supposition and Supersession: A Model of Analysis for Narrative Structure.

Holly, Michael Ann.
Past Looking.

Holquist, Michael.
Answering as Authoring: Mikhail Bakhtin's Trans-Linguistics.

Holroyd, Michael.
George Bernard Shaw: Women and the Body Politic.

Holtz, William.
Spatial Form in Modern Literature: A Reconsideration.

Homans, Margaret.
Eliot, Wordsworth, and the Scenes of the Sisters' Instruction.

Huet, Marie-Helene.
Monstrous Imagination: Progeny as Art in French Classicism.

Huhndorf, Shari M.
Nanook and His Contemporaries: Imagining Eskimos in American Culture, 1897-1922.

Hulme, Peter.
Making No Bones: A Response to Myra Jehlen.

Hung, Wu.
The Painted Screen.

Hunter, Ian.
The History of Theory.
The Morals of Metaphysics: Kant's Groundwork as Intellectual Paideia.

Hunter, J. Paul.
"News, and New Things": Contemporaneity and the Early English Novel.

Hussain, Nasser.
Beyond Norm and Exception: Guantnamo.

Huston, Nancy.
Novels and Navels.

Huyssen, Andreas.
The Voids of Berlin.

Hyman, Lawrence W.
The "New Contextualism" Has Arrived: A Reply to Edward Wasiolek.
Harpsichord Exercises and the My Lai Massacre.

Ickstadt, Heinz.
A Letter from Berlin.

Ionesco, Eugene, and Gabriel Jacobs.
Ionesco and the Critics: Eugene Ionesco Interviewed by Gabriel Jacobs.

Irvine, Janice M.
Doing It with Words: Discourse and the Sex Education Culture Wars.

Ivy, Marilyn.
Tracking the Mystery Man with the 21 Faces.

Izenberg, Oren.
Language Poetry and Collective Life.

Jacobson-Leong, Esther.
Place and Passage in the Chinese Arts: Visual Images and Poetic Analogues.

Jacobus, Mary.
The Question of Language: Men of Maxims and "The Mill on the Floss".

Jameson, Fredric R.
Ideology and Symbolic Action.
The Symbolic Inference; Or, Kenneth Burke and Ideological Analysis.

Jameson, Fredric.
Culture and Finance Capital.
The End of Temporality.
History and Elegy in Sokurov.
On Magic Realism in Film.
The Square Peg in the Round Hole or the History of Spaceflight.
Symptoms of Theory or Symptoms for Theory?.
The Theoretical Hesitation: Benjamin's Sociological Predecessor.

Jankelevitch, Vladimir, and Ann Hobart.
Do Not Listen to What They Say, Look at What They Do.
Should We Pardon Them?.

Jankelevitch, Vladimir, Arnold I Davidson, and Nancy R Knezevic.
Pelleas and Penelope.

JanMohamed, Abdul R.
The Economy of Manichean Allegory: The Function of Racial Difference in Colonialist Literature.

Jauss, Hans Robert, and Michael Shaw.
Poiesis.

Jauss, HansRobert.
Modernity and Literary Tradition.

Jehlen, Myra.
History before the Fact; Or, Captain John Smith's Unfinished Symphony.
Response to Peter Hulme.

Johnson, Barbara.
Rigorous Unreliability.
Thresholds of Difference: Structures of Address in Zora Neale Hurston.

Johnston, John.
Machinic Vision.

Jones, Caroline A.
Anxiety and Elation: Response to Michael Fried.
Finishing School: John Cage and the Abstract Expressionist Ego.
The Modernist Paradigm: The Artworld and Thomas Kuhn.

Jones, Mari Riess.
Only Time Can Tell: On the Topology of Mental Space and Time.

Jones, Matthew L.
Descartes's Geometry as Spiritual Exercise.

Joseph, Branden W.
White on White.

Joyrich, Lynne.
Epistemology of the Console.

Juhl, P. D.
Do Computer Poems Show That an Author's Intention Is Irrelevant to the Meaning of a Literary Work?.

Jullien, Franc;alcois.
The Shadow on the Picture: Of Evil or the Negative.

Jullien, Francois, and Janet Lloyd.
Did Philosophers Have to Become Fixated on Truth?.

Kaplan, Alice Y.
On Alain Finkielkraut's "Remembering in Vain": The Klaus Barbie Trial and Crimes against Humanity.

Kaufman, Robert.
Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde.
Red Kant, or the Persistence of the Third "Critique" in Adorno and Jameson.

Kelman, Mark.
Reasonable Evidence of Reasonableness.

Kenshur, Oscar.
(Avoidable) Snares and Avoidable Muddles.
Demystifying the Demystifiers: Metaphysical Snares of Ideological Criticism.

Kerman, Joseph.
A Few Canonic Variations.
How We Got into Analysis, and How to Get out.

Kermode, Frank.
Novels: Recognition and Deception.
A Reply to Denis Donoghue.
A Reply to Joseph Frank.
Secrets and Narrative Sequence.

Keyser, Samuel Jay, and Alan Prince.
Folk Etymology in Sigmund Freud, Christian Morgenstern, and Wallace Stevens.

Kezar, Dennis.
Shakespeare's Addictions.

Kiaer, Christina.
The Russian Constructivist Flapper Dress.

Kinahan, Frank, and Seamus Heaney.
An Interview with Seamus Heaney.

Kincaid, James R, and James Phelan.
What Do We Owe Texts? Respect, Irreverence, or Nothing at All?.

Kincaid, James R.
"Fiction and the Shape of Belief": Fifteen Years Later.
Coherent Readers, Incoherent Texts.
Pluralistic Monism.
Pouvoir, Felicite, Jane, et Moi (Power, Bliss, Jane, and Me).
[Professional Harassment]: Response.

Kipnis, Laura.
Adultery.

Kittler, Friedrich.
Universities: Wet, Hard, Soft, and Harder.

Knapp, Jeffrey.
"Sacred Songs Popular Prices": Secularization in The Jazz Singer.

Knapp, Steven, and Walter Benn Michaels.
Against Theory 2: Hermeneutics and Deconstruction.
Against Theory.
Reply to George Wilson.
A Reply to Our Critics.
A Reply to Richard Rorty: What Is Pragmatism?.

Koepnick, Lutz P.
The Spectacle, the "Trauerspiel," and the Politics of Resolution: Benjamin Reading the Baroque Reading Weimar.

Koethe, John.
Contrary Impulses: The Tension between Poetry and Theory.

Kohut, Heinz.
Psychoanalysis and the Interpretation of Literature: A Correspondence with Erich Heller.
A Reply to Margret Schaefer.

Kolodny, Annette.
The Feminist as Literary Critic.
Some Notes on Defining a "Feminist Literary Criticism".
Turning the Lens on "The Panther Captivity": A Feminist Exercise in Practical Criticism.

Kracauer, Siegfried, and Thomas Y Levin.
Photography.

Kramer, Jonathan D.
Can Modernism Survive George Rochberg?.
New Temporalities in Music.

Kramer, Lawrence.
Music, Historical Knowledge, and Critical Inquiry: Three Variations on The Ruins of Athens.
Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion's The Portrait of a Lady..
The Shape of Post-Classical Music.

Krauss, Rosalind E.
Reinventing the Medium.

Krieger, Murray.
The Ambiguities of Representation and Illusion: An E. H. Gombrich Retrospective.
Fiction, History, and Empirical Reality.
Optics and Aesthetic Perception: A Rebuttal.
Poetic Presence and Illusion: Renaissance Theory and the Duplicity of Metaphor.

Kristeva, Julia, and Margaret Waller.
Psychoanalysis and the Polis.

Kristeva, Julia.
Is There a Feminine Genius?.

Krupat, Arnold.
An Approach to Native American Texts.
Atanarjuat, the Fast Runner and Its Audiences.
Native American Literature and the Canon.

Kubler, George.
History: Or Anthropology: Of Art?.

Kujundzic, Dragan.
Journey with J on the Jour J.

LaCapra, Dominick.
Equivocations of Autonomous Art.
History and Psychoanalysis.
Trauma, Absence, Loss.
The University in Ruins?.
Yes, Yes, Yes, Yes... Well, Maybe: Response to Nicholas Royle.

Laclau, Ernesto, and Amy G Reiter-McIntosh.
Psychoanalysis and Marxism.

Laclau, Ernesto.
Why Constructing a People Is the Main Task of Radical Politics.

Lacoue-Labarthe, Philippe, and Paula Wissing.
Neither an Accident nor a Mistake.

Lacoue-Labarthe, Philippe, Jean-Luc Nancy, and Brian Holmes.
The Nazi Myth.

Lakoff, Andrew.
The Simulation of Madness: Buenos Aires, 1903.

Lamb, Jonathan.
Modern Metamorphoses and Disgraceful Tales.

Landecker, Hannah.
Cellular Features: Microcinematography and Film Theory.

Lang, Berel.
Looking for the Styleme.
Space, Time, and Philosophical Style.
Style as Instrument, Style as Person.

Langland, Elizabeth.
Society as Formal Protagonist: The Examples of "Nostromo" and "Barchester Towers".

Lanzoni, Susan.
An Epistemology of the Clinic: Ludwig Binswanger's Phenomenology of the Other.

Latour, Bruno.
Why Has Critique Run out of Steam? From Matters of Fact to Matters of Concern.

Lawler, James.
Daemons of the Intellect: The Symbolists and Poe.

Lecker, Robert.
The Canonization of Canadian Literature: An Inquiry into Value.
Response to Frank Davey.

Leddy, Michael.
"Validity" and Reinterpretation.

Leer, David Van.
The Beast of the Closet: Homosociality and the Pathology of Manhood.
Trust and Trade.

Leitch, Vincent B.
The Lateral Dance: The Deconstructive Criticism of J. Hillis Miller.

Leitch, VincentB.
Late Derrida: The Politics of Sovereignty.
Work Theory.

Leja, Michael.
Barnett Newman's Solo Tango.

Lentricchia, Frank.
Andiamo!.
Patriarchy against Itself: The Young Manhood of Wallace Stevens.

Levarie, Siegmund.
Noise.

Levi, Albert William.
"De Interpretatione": Cognition and Context in the History of Ideas.
Culture: A Guess at the Riddle.

Levinas, Emmanuel, and Paula Wissing.
As If Consenting to Horror.

Levinas, Emmanuel, and Sean Hand.
Reflections on the Philosophy of Hitlerism.

Levine, George.
Matthew Arnold: The Artist in the Wilderness.

Lewis, Bernard.
The Crows of the Arabs.

Lewontin, R. C.
Facts and the Factitious in Natural Sciences.

Leys, Ruth.
Mead's Voices: Imitation as Foundation, or, the Struggle against Mimesis.
Traumatic Cures: Shell Shock, Janet, and the Question of Memory.

Limon, John.
The Integration of Faulkner's "Go Down, Moses".
"The Shame of Abu Ghraib".

Lipking, Lawrence.
Arguing with Shelly.
Aristotle's Sister: A Poetics of Abandonment.
The Marginal Gloss.

Litz, A. Walton.
Recollecting Jane Austen.

Liu, Alan.
Transcendental Data: Toward a Cultural History and Aesthetics of the New Encoded Discourse.

Liu, Lydia H.
Robinson Crusoe's Earthenware Pot.

Liu, LydiaH.
iSpace: Printed English after Joyce, Shannon, and Derrida.

Longhurst, Derek.
A Response to Peter Rabinowitz.

Longxi, Zhang.
The "Tao" and the "Logos": Notes on Derrida's Critique of Logocentrism.
The Myth of the Other: China in the Eyes of the West.
Western Theory and Chinese Reality.

Lowenthal, Leo, and Ted R Weeks.
Sociology of Literature in Retrospect.

Lunberry, Clark.
So Much Depends: Printed Matter, Dying Words, and the Entropic Poem.

Mackenzie, Michael.
From Athens to Berlin: The 1936 Olympics and Leni Riefenstahl's Olympia.

Mahaffey, Vicki.
The Case against Art: Wunderlich on Joyce.

Mailloux, Steven.
Rhetorical Hermeneutics.
Stanley Fish's "Interpreting the Variorum": Advance or Retreat?.
Truth or Consequences: On Being against Theory.

Makdisi, Saree S.
The Empire Renarrated: "Season of Migration to the North" and the Reinvention of the Present.

Makdisi, Saree.
Laying Claim to Beirut: Urban Narrative and Spatial Identity in the Age of Solidere.
Said, Palestine, and the Humanism of Liberation.

Mancini, J. M.
Discovering Viking America.

Marcus, Jane.
Quentin's Bogey.

Marin, Louis.
Frontiers of Utopia: Past and Present.

Marion, Jean-Luc, and Jeffrey L Kosky.
The Other First Philosophy and the Question of Givenness.

Marion, Jean-Luc, and Thomas A Carlson.
Metaphysics and Phenomenology: A Relief for Theology.

Markley, Robert.
What Isn't History: The Snares of Demystifying Ideological Criticism.

Marotti, Arthur F.
Countertransference, the Communication Process, and the Dimensions of Psychoanalytic Criticism.

Marshall, David.
Adam Smith and the Theatricality of Moral Sentiments.

Martin, Edwin.
On Seeing Walton's Great-Grandfather.

Martin, Loy D.
Literary Invention: The Illusion of the Individual Talent.
A Reply to Carl Pletsch and Richard Shiff.

Martin, Richard.
Correction: Traditional Ballads Musically Considered.

Martin, Wallace.
Literary Critics and Their Discontents: A Response to Geoffrey Hartman.

Mast, Gerald.
Kracauer's Two Tendencies and the Early History of Film Narrative.
On Framing.
What Isn't Cinema?.

Mattick, Paul.
The Andy Warhol of Philosophy and the Philosophy of Andy Warhol.

McCarren, Felicia.
The "Symptomatic Act" circa 1900: Hysteria, Hypnosis, Electricity, Dance.

McCarthy, Thomas.
Ironist Theory as a Vocation: A Response to Rorty's Reply.
Private Irony and Public Decency: Richard Rorty's New Pragmatism.

McClintock, Anne, and Rob Nixon.
No Names Apart: The Separation of Word and History in Derrida's "Le Dernier Mot du Racisme".

McClintock, Anne.
"Azikwelwa" (We Will Not Ride): Politics and Value in Black South African Poetry.

McGann, Jerome J.
The "Cantos" of Ezra Pound, the Truth in Contradiction.
Contemporary Poetry, Alternate Routes.
Formalism, Savagery, and Care; Or, the Function of Criticism Once Again.
Laura (Riding) Jackson and the Literal Truth.
The Meaning of the Ancient Mariner.
The Religious Poetry of Christina Rossetti.
Some Forms of Critical Discourse.

McGann, Jerome.
Beauty, the Irreal, and the Willing Assumption of Disbelief.
A Note on the Current State of Humanities Scholarship.

McGregor, Robert.
"Art": Again.

McGurl, Mark.
Making It Big: Picturing the Radio Age in "King Kong".
The Program Era: Pluralisms of Postwar American Fiction.

McHugh, Susan.
Marrying My Bitch: J. R. Ackerley's Pack Sexualities.

McKeon, Richard.
"Pride and Prejudice": Thought, Character, Argument, and Plot.
Arts of Invention and Arts of Memory: Creation and Criticism.
Canonic Books and Prohibited Books: Orthodoxy and Heresy in Religion and Culture.
Pluralism of Interpretations and Pluralism of Objects, Actions, and Statements Interpreted.

McLane, Maureen N.
The Figure Minstrelsy Makes: Poetry and Historicity.

McMichael, James.
Real, Schlemiel.

Meltzer, Francoise, and David Tracy.
Editors' Introduction.

Meltzer, Francoise.
Color as Cognition in Symbolist Verse.
Editor's Introduction: Partitive Plays, Pipe Dreams.
Future? What Future?.
The Hands of Simone Weil.
Laclos' Purloined Letters.

Melville, Stephen.
Psychoanalysis and the Place of "Jouissance".
"All? All?".

Menke, Richard.
Media in America, 1881: Garfield, Guiteau, Bell, Whitman.

Menninghaus, Winfried.
Introduction.

Mermin, Dorothy.
The Damsel, the Knight, and the Victorian Woman Poet.

Meschonnic, Henri, and Gabriella Bedetti.
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