Statement for the Critical Inquiry Board Statement
by Homi Bhabha
Race, class . . . all that . . . but isn’t
all that just history?
Aren’t people bored with it all?
The way she spoke those lines, sort’ve flaunting them
with a kind of
faux naïve provocation, suggested that she knew that Adrienne Rich
poem, the one that ends with a young woman asking that very question.
You know the poem I mean, the one about an older woman, somebody
roughly our age, whose participation in the movements of the sixties or
late eighties becomes part of her ethical mission in the
classroom. The poem that starts with a woman thinking
not I have joined a movement
but I am stepping in
this deep current
Part of my life washing behind me. . .
part of my life waiting for me
a woman who turns out to be a teacher . . .
someone with facts with
numbers
with poetry
who wrote on the board: IN EVERY GENERATION ACTION
FREES
OUR DREAMS.
Maybe a student: one mind unfurling like a redblack
peony
It was coming back to me, fitfully. I was relieved. At least we were on
the same page, I thought, slowly warming to the conversation.
“Cool,” she interrupted briskly, ”but isn’t all that just history? All
that stuff about the male gaze . . . and the gaze of the Other . . .
and the `politics of difference’? So what’s the difference. . . ?”
(I thought I heard something like différance,
but sadly my
hearing is not quite what it used to be.)
“So, like, what’s changed?” She was clearly ahead of me. I
started on about curricular advances in the humanities;
interdisciplinarity, transdisciplinarity; I even pushed it a little by
suggesting “Interstitial Institutional Intradisciplinarity,” but that
sounded so uncool, so like totally
not performative enough.
I was getting desperate. I even ventured my own
recent offering,
English 925, an Adam Smith-Joseph Conrad combo—“Mistah Kurtz…he
dead: Military Authority, the Moral Economy, and the Arts of
Darkness”—as carrying a remarkable contemporary relevance. My leaden
performance drove her away. Suddenly, the scholar’s gown seemed
like a shroud, the mortarboard a fallen soufflé of
sententiousness, and although I maintained my mustachioed stiff upper
lip, in the image of those who exude moral authority, I knew that the
game was lost.
She got up to leave, saying some sharp stuff about the
obsolescence of
the “politics of difference” and how all that “pomo” and “poco”
theorizing just doesn’t “get” globalization . . . its mobile networks .
. . its postmodern marketing strategies . . . its nomadic subjects. And
then, as she strode away, she fixed me with a stare and threw me a
rather ungainly sentence that, for a tense minute, I thought I had
written myself: “[Global] power has evacuated the [binary]
bastion [that you postmodernists and postcolonialists] are attacking .
. . in the name of difference.” The “name of difference”
now hoisted by its own petard? Postcolonialism in shreds? Binary
thinking busted by global capitalism? Was the moral fervor of my
youth so misconceived? Was there nothing left to bring joy to my middle
years?
“Hey, why do you keep throwing these things at me,” I
ran after her,
“first Adrienne Rich . . . Deleuze . . . Jameson . . . Hardt and Negri.
Listen . . . I never said . . . I didn’t mean. . . .” But she had had
the last word, and as I ran after her I kept thinking: Isn’t all that
just history?
It would be heartening to agree with the
growing chorus—Hardt and Negri amongst them—that global “empire” has
deserted the bastions of binary thinking. The aftermath of 9/11
has made even more urgent the endeavor to think of issues relating to
political and cultural differences beyond the polarities of power and
identity. Immediately after the WTC attacks there was a worldwide
resurgence of Samuel Huntington’s thesis on “the clash of
civilizations” with an enraged and righteous Islam pitted against the
liberal and Christian West—an argument that the author himself was in
the process of revising. Newspapers from Germany to Brazil cited
the book as essential reading. More recently, with Iraq in our sights,
there is another ruling binary in our midst—this time, known as the bipolarity of global
power. In a recent op-ed piece in the New York
Times, Thomas Friedman argues that 9/11 has introduced a
new
division of the globe—the World of Order and the World of
Disorder:
The World of Order is built on four pillars:
the U.S., E.U.-Russia,
India and China, along with all the smaller powers around them. The
World of Disorder comprises failed states (such as Liberia), rogue
states (Iraq and North Korea), messy states—states that are too big to
fail but too messy to work (Pakistan, Colombia, Indonesia, many Arab
and African states)—and finally the terrorist and mafia networks that
feed off the World of Disorder.
There has always been a World of Disorder, but what
makes it more
dangerous today is that in a networked universe, with widely diffused
technologies, open borders, and a highly integrated global financial
and internet system, very small groups of people can amass huge amounts
of power to disrupt the World of Order. Individuals can become
superempowered. In many ways, 9/11 marked the first full-scale
battle between a superpower and a small band of super-empowered angry
men from the World of Disorder.
There is no old-style polarity here of East and West or
North and
South; nevertheless, the presence of a networked universe and diffused
technologies doesn’t prevent the discourse of world power from being
represented, ubiquitously and influentially, as bipolar: The World of
Order and the World of Disorder. The reasons why the differences
between superpowers and the superempowered should somehow assume a
pattern of polarity is a question for another time. However, the
critical labor of interrogating the binarized bastions of world power
still has an important role to play if we want to understand why the
World of Order elicits such deep anger, anxiety, and ambivalence from
those who belong to rogue, failed, or messy states. Why the
failure? What is the history of the mess? To suggest that the world has
moved decidedly into “global networks of power consisting of highly
differentiated and mobile structures” is at best only half true (E, p.
151). True perhaps for the al Qaeda network and its operative
nodes. But hardly true for much of the rest of the word; not true
for the U.S. or the U.K.; nor true for the worldwide demand, on streets
and in secretariats, that any hostile action should be undertaken under
the supervision of the UN, fully ratified by international law, and
supported by the community of nations. The two sides of the
global truth amount to something less than a whole truth: first, the
idea that the specter of binary or bipolar explanation rises to exert
order and meaning when we are confronted by realities that seem
contingent, contradictory, and fearsome; and, second, that
national territories and network societies coexist with each other in
relations that are, at best, problematic and proximate.
The discourses of cultural globalization have become a
major
intertextual and interdisciplinary highway between the humanities and
the social sciences; and the traffic of ideas and methods that passes
between them shapes much of our thinking in the arts and the
humanities. And it is to this junction of ideas that I now want to
turn. The global influence of world markets—their cunning
commodifications—must not be underestimated; nor, however, must the
world’s trade zones be celebrated as a bricolage of borderless
bazaars (“Differences [of commodities, populations, cultures, and
so forth] seem to multiply infinitely in the world market” [E, p.
150]). It is true that financial markets and capital flows have
been disproportionately globalized in comparison with other
important sectors of the world economy, but nowhere near the
extent to which diverse rhetorics of globalization claim . At a rough
estimate, almost 90 percent of all worldwide trade policies and tariffs
are still controlled by nation-states in their interests rather than
interregional bodies. The European Union and MERCOSUR are exceptions to
this global trend, setting their tariffs according to “customs union”
regulations, but this represents only a modest variation in the
persistence of trade barriers across the world. However, one’s
idealism and optimism about these interregional bodies should not
conceal the fact that national hegemonies still prevail over
transnational agreements. For instance, the common agricultural
policy of the European Union is heavily tilted toward the advantage of
the French and their influence on the agricultural lobby in
Brussels. The rhetorical zeal with which it is claimed that world
markets are now postnational needs to be tempered with a contending
perspective, one that foregrounds elements of the economy that have
become increasingly regulative and conservative in the face of global
fluidity.
When it is argued that “postmodernism is indeed
the logic by
which global capital operates” or that “the world market establishes a
real politics of difference,” these influential views seem to turn the
world into a metaphor of mondialization
in which the persistence of
national or international governance is wrongly seen as a withering
remnant of the Westphalian system (E, p. 151). It would be more
accurate to suggest that the “national” system is being reinvented and
hybridized to deal with the governance of globalizations—its formal
institutions and informal arrangements that strive for sovereignty in a
world economy that is still substantially “national.” Culturalist
globalization often works by analogy, mapping an equivalence between
the conceptual language of cultural studies and selective aspects of
the political economy—financial flows, capital transfers, outsourcing,
flexible accumulation. These economic processes can, with
relative ease, be appropriated into the spatial and semiotically
informed languages of cultural description and representation that have
become the lingua franca of humanistic discourse post the linguistic
turn. The circulation of commodities, the opening up of free
trade zones, the technological transfer of financial flows bear a
certain formal resonance (if
not resemblance) with the circulation of
images, the exchange of cultural signs, the flow of signification, the
intertextual transfers of meaning. The elements of the global
economy and polity that can be most readily inscribed under the sign of
a quasi-semiotic “circulation” are then mobilized for a wider political
and ethical argument that suggests that the goal of a global ethic lies
in “the struggle against the slavery of belonging to a nation, an
identity, and a people, and thus the desertion from sovereignty and the
limits it places on subjectivity—is entirely positive. Nomadism and
miscegenation appear here as figures of virtue, as the first ethical
practices on the terrain of Empire” (E,
pp. 361–62).
The “free movement” of peoples and labor may be a fine
aspiration. However, it cannot credibly support a “global ethic”
at a time when, according to the most recent estimates, only 3 percent
of the world’s population are part of global migratory flows. Now this
does not mean that in a world of migratory movement—whether in the
nineteenth century or today—those who don’t move, stay still. The more
fundamental challenge by far is to rethink “indigeneity” or
“nationality” in the partial and incipient conditions of global,
cosmopolitan itinerancy. What
does it mean to “resettle” or repeople a
“poor” globalized nation of compromised sovereignty in a partially
denationalized context, where financial remittances from migrant
communities abroad far outweigh any other form of “foreign
investments.” How do these “nonnationalized,” largely private forms of
funding shape public culture and the global economy? What does it take
to “revision” a people in a wealthy multicultural society where migrant
or diasporic groups seek a mode of binational and bilingual belonging
that may change our most cherished norms and modalities of cultural
citizenship? These are some of the most enduring epistemological and
ethical issues raised in the Satanic
Verses, which have been occluded
by the affaire Salman Rushdie.
The Satanic Verses
suggests that the
migrations of canonical and pedagogical knowledges—classic and
modernist—are rearticulated by the voices of a vernacular cosmopolitan
tradition that redress—and readdress—the precarious balance between
indigeneity and internationalism. For instance, “[Mimi] went icy:
`I have read Finnegan’s Wake
and am conversant with postmodernist
critiques of the West. . . . We had exploitation when you-plural were
running round in skins. Try being Jewish, female and ugly sometime.
You’ll beg to be black. Excuse my french: brown.’”
And if that’s the view from the postmodern academy,
there is another
more classical conversation going on at the Shaandaar café,
locale of migrants and émigrés, where Lucretius and Ovid
are being debated—“`You hear, good sir? Our spirits . . . . are still
the same forever but adopt in their migrations ever-varying forms. . .
. [or] some demonic and irreversible mutation is taking place.’”
Migrants, refugees, and nomads don’t merely circulate.
They need to
settle, claim asylum or nationality, demand housing and education,
assert their economic and cultural rights, and come to be legally
represented within legal jurisdictions. From this perspective,
monetary policy and taxation rather than “markets” and financial flows
provide the crucial infrastructure for enabling an ethic of free
movement. It is salutary, then, to turn to less semiotically and
figuratively supple forms of the economy like taxes and monetary
policy, which are contextual and conjunctural and much less open to
metaphoric appropriation. And yet taxation or trade tariffs are no less
a matter of concern for cultural globalization, which places the
problems of migration and the accelerated movement of peoples and
things at the heart of the new global polity. Indeed, to the
extent to which global equity
and justice demands the free flow of
peoples and goods, taxation has a crucial role to play in providing
migrants and the “poor” with social welfare, public goods, medical
care, and educational benefits at
the national level. Positive global
relations depend on the protection of these nation-based resources of
the redistribution of wealth. To suggest that “`the very idea of a
[national] economy is becoming meaningless’” or that the “world market
is liberated from the kind of binary divisions that nation-states had
imposed“ is to claim too much too soon (E, p. 151). For the
global economy is, as yet, a transitional
and translational category.
As the economic historian Saskia Sassen argues, it is the
“insertions of the global into the fabric of the national [that
create] . . . a partial and incipient denationalization of that which
historically has been constructed as the national.” Our
experience of the global is not a face-to-face encounter with a “new”
social or cultural phenomenon; it only comes to life as a
representational reality when the nation-space cedes its sovereignty in
order to accede to the
transnational or global reality that embeds
itself, or intercedes, into
the ongoing life of the nation. Any
turning point in history, Gramsci once wrote, can only be experienced
as an “incubation” of temporalities, old and new, past and present.
Those who experience the partial and incipient
conditions of global
life with the greatest intensity, and inequity, are minorities—those movements with
which I began—who have always been partially
denationalized subjects—“partial citizens at the edge of the nation”—
as DuBois once described them. Such “minoritarian” conditions of
life do not exist exclusively at the margins of society or the
peripheries of the globe. They exist wherever there is an attempt to
deny the choice of freedom or to refuse the recognition of equality on
the grounds that there must be a normalization or neutralization of
“difference”—in other words a majoritarian bias—in the moral ordering
of society and its allocation or regulation of resources.
At its best, I believe, the politics of
difference lives on to rethink the minority not as an identity but as a
process of affiliation (rather than autonomy) that eschews sovereignty
and sees its own selfhood and interests as partial and incipient in
relation to the other’s presence. This form of minoritarian
identification converts the liminal condition of the minority—always
partially denationalized—into a new kind of strength based on the
solidarity of the partial collectivity rather than sovereign
mastery. In this sense, Etienne Balibar has brilliantly argued,
seeking liberation is “a ‘right to difference in equality,’ that is,
not as a restoration of an original identity or as a neutralization of
differences in the equality of rights, but as the production of an
equality . . . [as] the complementarity and reciprocity of
singularities.” Equality and rights are the products
of a mode of personhood that emerges through the processes of shaping
diverse lifeworlds of freedom and self-expression “in the name of
difference.” Such rights of equality are not then presumed to be
universal because they rest on an unmarked, “neutralized” humanity that
exists before and beyond the “representation of difference.” This is an
important lesson that the Human Rights NGOs of our times—that other
globalization of an international civil society—are learning every day.
In working towards “a right to difference in equality,” we need to
affirm the careful virtue of tolerance, but also to move beyond it to
achieve an imaginative virtuosity of “identification” which we
humanists—artists, poets, historians, literary scholars—enact every day
in our attempts at writing, reading, and interpretation:
—And now she turns her face brightly on the new
morning in
the new classroom
new in her beauty her skin her lashes her lively body:
Race, class…all
that……but isn’t all that just history?
Aren’t people bored
with it all?. . .
She’s a mermaid
Momentarily precipitated from a solution
which could stop her heart She could swim or sink
like a beautiful crystal.
As authors and teachers we live precariously, precipitated by our
solutions, questioning our powers of resolution. Whatever moral
authority we oppose, or aspire to, as humanists we know that the
sovereignty of our wit and will is always precariously poised in the
act of survival itself. We could sink or swim, and only the
careful cultivation of a shared sense of ethical confidence in making
our choices free and fair will help us with that condition of life.
New mornings dawn this way; and other histories haunt
this day.
|