Critical Inquiry Critical Inquiry
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From our new issue
The Four-Color Theorem and the Aesthetics of Computational Proof by Imogen Forbes-Macphail
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New on the CI Review!
Marc Kohlbry reviews Cybernetic Capitalism: A Critical Theory of the Incommunicable by Jan Overwijk
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From our new issue
Corroded with SCUM: Valerie Solanas’s Theories of Mind by Elizabeth A. Wilson
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From our Spring 2005 issue
Authenticity in Painting: Remarks on Michael Fried’s Art History by Robert Pippin
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New on the CI Review!
Diana Garvin reviews Cinema is the Strongest Weapon: Race-Making and Resistance in Fascist Italy by Lorenzo Fabbri
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From our Spring 2016 issue
Art Cinema: The Indian Career of a Global Category by Rochona Majumdar
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New on the CI Review!
Emily Merson reviews Making the World Clean: Wasted Lives, Wasted Environment, and Racial Capitalism by Françoise Vergès
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Naftali Bezem on the Green Line -
The Four-Color Theorem and the Aesthetics of Computational Proof -
Marc Kohlbry reviews Cybernetic Capitalism -
Corroded with SCUM -
Authenticity in Painting -
Diana Garvin reviews Cinema is the Strongest Weapon -
Art Cinema -
Emily Merson reviews Making the World Clean