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Sam Di Iorio
reviewing
The Red Years of Cahiers du Cinéma (1968–1973), vol. 1: Ideology and Politics, and vol. 2: Aesthetics and Ontology.
by Daniel Fairfax
November 10, 2022
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Michael Maizels
reviewing
Curating Capitalism: How Art Impacts Business, Management, and Economy
by Pierre Guillet de Monthoux
November 02, 2022
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Anders Engberg-Pedersen
reviewing
Operation Valhalla: Writings on War, Weapons, and Media
by Friedrich Kittler
October 19, 2022
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Claire McEachern
reviewing
Reading Shakespeare Reading Me
by Leonard Barkan
October 12, 2022
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Noémie Ndiaye
reviewing
Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage
by Jennifer Eun-Jung Row
September 14, 2022
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Maayan Hilel
reviewing
Winning Lebanon: Youth Politics, Populism, and the Production of Sectarian Violence, 1920–1958
by Dylan Baun
September 08, 2022
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Nitzan Lebovic
reviewing
The Poverty of Ethics
by Anat Matar
August 31, 2022
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Katie Trumpener
reviewing
On Belonging and Not Belonging: Translation, Migration, Displacement
by Mary Jacobus
August 24, 2022