-
Virginia Jackson
reviewing
Radium of the Word: A Poetics of Materiality
by Craig Dworkin
December 08, 2022
-
Robert Brain
reviewing
Psychomotor Aesthetics: Movement and Affect in Modern Literature and Film
by Ana Hedberg Olenina
November 30, 2022
-
Lida Zeitlin-Wu
reviewing
Digital Lethargy: Dispatches from an Age of Disconnection
by Tung-Hui Hu
November 16, 2022
-
Sam Di Iorio
reviewing
The Red Years of Cahiers du Cinéma (1968–1973), vol. 1: Ideology and Politics, and vol. 2: Aesthetics and Ontology.
by Daniel Fairfax
November 10, 2022
-
Michael Maizels
reviewing
Curating Capitalism: How Art Impacts Business, Management, and Economy
by Pierre Guillet de Monthoux
November 02, 2022
-
Anders Engberg-Pedersen
reviewing
Operation Valhalla: Writings on War, Weapons, and Media
by Friedrich Kittler
October 19, 2022
-
Claire McEachern
reviewing
Reading Shakespeare Reading Me
by Leonard Barkan
October 12, 2022
-
Noémie Ndiaye
reviewing
Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage
by Jennifer Eun-Jung Row
September 14, 2022
